10 on Ten

10 on Ten is an enthralling film that explores the art and craft of cinema through the lens of renowned Iranian filmmaker, Abbas Kiarostami. Released in 2004, it stars Kiarostami himself and Iranian actress Mania Akbari, best known for her captivating performance in Kiarostami's previous film, '10'. Much more than a simple movie, 10 on Ten transcends traditional cinema boundaries to become a masterclass on film making and a deeply personal reflection on the nature of creativity.

This film invites us into the world of Kiarostami, a distinguished figure in the world of cinema, known for his groundbreaking techniques and his ability to capture the raw essence of life. Utilizing a unique, enlightening, and informative format, 10 on Ten sees Kiarostami acting as both director and presenter, breaking the fourth wall to talk directly to the viewer.

The film is divided into ten distinct sections, each exploring a different aspect or principle of film-making. This partition is evidently following the philosophy of Kiarostami's previous movie '10', which also happens to be the topic of discussion for this instructional, narrative film. Shot primarily within Kiarostami's car, it calls back to the similar setting in '10', focusing on the aesthetics and philosophies concerning car scenes, which has become symbolic of Kiarostami’s directorial style.

In one section, Kiarostami discusses the film's characters, exploring their motivations, their desires, and the ways that they connect with the audience. In other parts, he shares his technical expertise in areas such as the use of digital cameras and the importance of the seemingly inconsequential details. It is fascinating to hear his views on these specific aspects, offering an unfiltered look into his creative process and his perspective on film-making as an art form.

Throughout, Kiarostami’s passion for cinema and his belief in filmmaking as an honest and intimate way of sharing stories come through powerfully and potently. The movie retains an intimate feel due to its minimalistic setup, low-key style and presentation. The 'one-man show' of Kiarostami conversing with us serves as a reflection of his belief in simplicity and minimalism.

Interestingly, the film is not about the glamorous side of movie-making. Rather, it delves into the pragmatic, ground-level problems and solutions encountered during the process. Kiarostami talks freely, candidly about his experiences, his struggles, offering wisdom and insights, which are both revealing and influential for budding filmmakers and cinema lovers alike.

Mania Akbari, who was the lead actress in '10', makes an appearance here. Her presence not only sheds spotlight on the collaboration between an actor and a director, but it adds richness and depth to Kiarostami's contemplations on cinema. Watching Kiarostami interact with Akbari offers viewers an unexpected but insightful look at the intricate, cognitive relationship between a director and their actor.

In many ways, 10 on Ten isn’t just a dissection of a particular film or a simple self-analysis of Kiarostami's movies; it is an exploration of storytelling, visual poetry and cinematic philosophy. It’s not often that we get to step inside the mind of such a masterful filmmaker. For those who admire cinema as an art form, 10 on Ten is a rare opportunity to absorb the views of a gifted storyteller, and Kiarostami stands undisputedly as one of the finest auteurs in cinema.

10 on Ten is a tribute to the power and beauty of cinema, but more than this, it is a testament to Kiarostami’s respect for his audience and his unending pursuit of artistic truth. A must-see for fans of Kiarostami, and an illuminating watch for anyone interested in understanding the intricacies of filmmaking, 10 on Ten serves as a masterclass in cinema from one of its most celebrated maestros. With its insightful perspectives, thought-provoking discussions, and intimate portrayal of a prolific filmmaker's mind, 10 on Ten is a noteworthy addition to the discourse of film criticism and appreciation. The movie simply allows us to cherish the miracles of cinema that we usually pass by unnoticed, pushing us to see films with a profound, reflective gaze.