100 Years Of Evil

100 Years of Evil is a captivating psuedo-documentary film from 2010, starring Jon Rekdal, Jordi Almeida, and Alexander Bareis. The film takes an inventive twist on typical documentary style story telling, mixing elements of drama, thriller, and mystery all wrapped within an alternate history cinematic universe.

The movie pivots around an imaginative conspiracy theory about Adolf Hitler's life and his unfortunate impact on world history. The film’s creators do not shy away from delving deep into the alternate history, challenging viewers with a compelling narrative that leverages intricate storytelling to educate, thrill, and entertain viewers.

The story starts in the strange place suggesting Adolf Hitler did not actually commit suicide in his bunker during WW2, and instead escapes to the United States to start a new life under the alias of Adolf Munchenhauser. This kicks off an intriguing yet chilling rabbit hole into a captivating 'what-if' scenario that is skillfully developed and executed throughout the film.

Jon Rekdal, starring as the lead character, shines remarkably performing multiple roles. Rekdal depicts a history professor who initiates an investigative journey into the strange evidence suggesting Hitler’s survival. He excels in a double role, also portraying Munchenhauser, the supposed shadow person of Hitler in hiding. As he uncovers inexplicable threads of an unthinkable reality, Rekdal's performance is riveting and brings remarkable depth to the film.

The film’s supporting cast, including Jordi Almeida and Alexander Bareis, brings their powerful performances increasing the film's suspense and ora of mystery. Almeida perfectly captures the role of an interviewee who shares first-hand accounts of unnerving events. Meanwhile, Bareis delivers an absorbing performance that further supports the narrative arc.

The movie's pseudo-documentary style plays a significant role in its uniqueness. Director Erik Eger has done a commendable job creating a captivating and unpredictable plot that keeps you glued to the screen. Combining elements of real historic angles with fictional surprises, Eger creates a realm of speculation, mystery, and fear that is both entertaining and mind-boggling. The found-footage style of filming also adds a layer of authenticity to the narrative staging it as a real-life exposé.

Even though the film brims with dark themes around war, deception, and power abuse, it certainly doesn't shy away from dashes of dark humor providing an elegant levity that balances out the overall weightiness of the serious historical context. This perfectly inserted, often satirical humor, lightens the mood but also asks viewing audiences to question the measures power figures can take in creating self-serving realities.

Furthermore, the impressive set designs, authentic costumes, and location choices, along with a subtle yet impactful music score, creates an atmosphere conducive to the film's narrative. The cinematography further enables an intense viewer experience, with the camera work enhancing the 'reality' feel, capturing underlying emotions while driving home the intensity of specific scenes.

Besides engaging viewers cinematically, 100 Years of Evil brings a philosophical depth underlying the straightforward plot. It elicits thought around issues of identity, power, manipulation, and the consequences of unchecked ambition on individual lives, and society at large - all of which resonate beyond its fantastical plot.

In a nutshell, 100 Years of Evil is an inventive and thrilling film that offers a refreshing change from conventional war-centric movies. With its shocking twists, brilliant performances, and the seamless blending of fact with fiction, the film is more than just a speculative piece about an alternate history. It compels viewers to question the narratives of history that we often take for granted, embedding the film with a provocative and compelling quality that is both entertaining and mind-expanding.