7 Women

In 7 Women, an intriguing drama from 1965 directed by John Ford, you are introduced to a diverse group of remarkable women, spotlighting the exceptional performances of Anne Bancroft, Sue Lyon, and Margaret Leighton. Set against the turbulent backdrop of 1935 in the harsh landscape of Northern China threatened by Mongolian bandits, the film is a fascinating exploration of survival, personal dynamics, cultural tension and gender roles.

The narrative unfolds in a remote mission school where the chaste, and rather austere Miss Agatha Andrews played by Margaret Leighton overlooks the teaching and discipline of young Chinese girls. She is aided by the gentle and naive Emma played by Sue Lyon, a new teacher, and the 'old China hand' Miss Binns. Their tranquility is promptly disturbed with the arrival of Dr. D.R. Cartwright, a character imaginatively personified by Anne Bancroft, who is proud, fiercely independent and a heavy drinker.

The tension only escalates with the arrival of Dr. Cartwright, whose worldview, jaded by her experiences on the battlefield, sharply clashes with the puritanical ethos pervading the mission. Bancroft's character adds a layer of complexity to the story, challenging not just the pre-set rules of the mission but also the stereotypes attached to femininity during the period. As the only medically trained person, her role becomes increasingly significant, navigating moral dilemmas of scarce medical supplies, harsh weather, and looming bandits.

Ford deftly explores the dynamics of these women, each from profoundly different backgrounds, as they must find some form of unity to survive the escalating threat of the Mongolian bandits. The film is not just a tale of battle and survival but a study of these characters' personalities and their relationships. Ford paints an intense portrait of seven women, each grappling with the harrowing threats of their present along with personal anxieties and demons of their past. It juxtaposes the harsh landscapes against the harsher realities these women face, creating a compelling narrative filled with tension and dramatic undertones.

Sue Lyon, as the innocent and naive Emma, delivers a brilliant performance, standing her ground against the stormy character of Bancroft. Margaret Leighton’s portrayal of the stern and pious Missionary Andrews offers a stark contrast to Bancroft's unruly doctor, adding a fascinating dynamic to this small group. The support of missionary workers Florrie (Betty Fields), Jane (Anna Lee), and Miss Russell (Mildred Dunnock) play a crucial role, making up the seven women who must face their dire circumstances collaboratively.

Ford's direction is compelling, creating a visually riveting film with cinematographer Joseph LaShelle, evoking both the beauty and hostility of the Chinese landscape. The screenplay based on the short story Chinese Finale By Norbert Davis, written by Janet Green and John McCormick, takes its time to build the narrative, adding a simmering tension to each scene. Elmer Bernstein's soundtrack brilliantly underscores the drama, further enhancing the viewers' engagement.

What sets the film apart is its unusual premise and strong female-led cast, a rarity for the 1960s cinema, especially under Ford's directions. The film explores faith, existential crises, power dynamics, and the spirit of survival under desperate conditions. Each of these seven women is boxed within their past and societal roles, grappling to overcome their inner battles while also taking on the external threats they're faced with.

In conclusion, 7 Women is a tense, emotionally-charged drama that unearths all facets of the human spirit. Critics praised its original story, character development, and innovative approach in putting female characters at the center of its discourse. It has been singled out as a dramatic departure from Ford's previous works, illustrating his diverse directorial skills. This film is undoubtedly worth viewing for its story, cinematic beauty, and stellar performances.