Anaarkali of Aarah

Anaarkali of Aarah is an Indian drama film released in 2017, directed by Avinash Das that showcases a heart-wrenching narrative and features an outstanding cast including Swara Bhasker (Anaarkali), Sanjay Mishra (VC Sahab), and Pankaj Tripathi (Rangeela). Through the competent acting skills of these stalwarts of the Bollywood industry, the film captures a gritty and thought-provoking tale about life and dignity, intricately interwoven into the colorful culture of Bihar, India.

Set in the rustic interiors of Aarah, a small town in Bihar, famous for its explicit item numbers and double-meaning song performances, Anaarkali of Aarah is a tale that revolves around the life of Anaarkali, a popular orchestra performer or singer, played brilliantly by Swara Bhasker. Anaarkali is a bold and vibrant performer who has her own troupe with whom she sings explicit, raunchy, and risqué songs that have a distinctively earthy and rustic flavor catering to the men of the town. In her vibrant and expressive costumes, Anaarkali owns the stage every time she steps on it, drawing in her audience with each pulsating rhythm and verse.

The character Anaarkali is depicted as a feisty woman whose profession garners her adulation and scorn in equal measure. While she is unabashed about her work, she is also cognizant of the world she inhabits, a world that is equally fascinated and repulsed by her. The film follows Anaarkali’s journey through the prism of her profession, revealing the vulnerabilities and strengths of a woman who unmistakably defies societal norms. Swara Bhasker delivers a magnificent performance, portraying the complex shades of Anaarkali's character with great finesse and displaying the wide spectrum of her acting prowess.

Sanjay Mishra plays the role of VC Sahab, an influential vice chancellor of a prestigious university. He is the embodiment of entitled men who, in spite of their education and social standing, view women as objects for their pleasure. As opposed to the crass world of the town that openly objectifies women, Mishra's character represents the polished, educated yet morally corrupted facet of society. His character forms a critical part of the narrative, pushing the story to its climax.

Adding an intriguing mix to the narrative is Pankaj Tripathi playing the role of Rangeela, Anaarkali’s faithful friend and the head of her troupe. His character is intricate and layered, showcasing a conflict between loyalty and survival. Tripathi, with his masterful expressions and flawless dialogue delivery, provides a captivating performance that renders his character unforgettable.

The film brilliantly unfolds the intertwining narratives, revealing the stark realities of gender power dynamics in a deeply patriarchal society. The story takes a pivotal turn when Anaarkali finds herself at odds with VC Sahab, setting her on a path of conflict, resistance, survival, and eventual triumph.

While the film touches upon sensitive subjects like harassment and abuse, it subtly yet powerfully portrays women’s struggle for respect and dignity without being overtly preachy. It also offers an introspective look into the lives of women entertainers in small Indian towns and their constant battle for respect and recognition. The screenplay is brilliantly crafted, engaging the audience in the very real and relatable world of Anaarkali.

The music of the film beautifully complements the narrative. With the music and dance playing an integral part of the Anaarkali's world, the Bhojpuri songs in the film add nuances to the storytelling, playing a significant role in expressing the emotions and evoking the atmosphere of the locational context.

Anaarkali of Aarah stands out by presenting an unconventional heroine, an uncanny world, and an unyielding spirit of defiance. Backed by a strong, unabashed, and raw narrative, stirring performances by the leads, and an effective soundtrack, the film is an engaging exploration of defiance, dignity, and womanhood wrapped in the vibrant hues of rural Bihar.