Anarkali of Aarah

Anarkali of Aarah is an impactful Indian drama released in 2017, directed by Avinash Das and co-produced by Sandiip Kapur and Priya Kapur. The film features the commendable talents of Pankaj Tripathi, Sanjay Mishra, and popular Indian actress Swara Bhasker, who delivers a power-packed performance that is both, the heart and backbone of the film.

The film is set in a small town named Aarah in Bihar, a state in India already notorious for its complicated socio-political climate and deep-rooted gender disparity. Here, the story unfolds around the life of a singer and dancer, Anarkali, played commendably by Swara Bhasker with an authentic Bihari accent and dialect. Anarkali isn't just an ordinary dancer; she is a sought-after performer who sings and dances to double entendre-laced songs at events and celebrations, fondly celebrated and desired by the local folk.

Anarkali holds a powerful and respected, albeit controversial position, in the local music and arts scene of Aarah, her popularity transcending the boundaries of the town. She enjoys her profession and the attention that comes with it and uses her creative art to rise above the otherwise grueling life in a state where women often struggle for independence and respect.

However, the film is not just about Anarkali's artful prowess, but also portrays a bold picture of her dauntless struggle against a society determined to victimize her. Sanjay Mishra plays the role of a well-respected vice chancellor, who becomes fixated on Anarkali to the point of obsession. The scenes between them accentuate the classic exploitative class-division.

Pankaj Tripathi, another remarkable actor, plays the role of Anarkali's manager, Rangeela. He delivers a profound and layered performance, depicting the varying aspects of his complex relationship with Anarkali. Tripathi's character illustrates the grim realities of men controlling and exploiting women in the regional entertainment sector.

The film offers a detailed picture of the societal norms and gender dynamics in the smaller towns of India. It unravels the comprehensive troubles and oppressions faced by such women performers who are treated as objects of desire, and explores the theme of exploitation in the entertainment business and the continued victimization of female artists.

Notably, Anarkali of Aarah stands out in its confident portrayal of the protagonist. Swara Bhasker's Anarkali is brave, ambitious, and unapologetic about her sexuality. She chases her dreams in the conservative society while balancing her desire for respect. She is not shown as a helpless victim but as a woman of resilience and strength who uses her art to rebel and resist against the unjust power dynamics.

In Anarkali of Aarah, the world of folk music and regional arts is shown not merely as a spectacle but a pulsating life behind glamour, where the artists deal with their own struggles and battles. The ambiance of Aarah has been captured wonderfully, its rustic charm, the local dialect, the music, and the cultural hues giving the film an authentic feel.

At its heart, the movie is a narrative about consent, respect, and anguished rebellion against a patriarchal society. It's a story of a woman fighting back against a system that constantly seeks to exploit and objectify her. Bhasker provides a compelling performance, leading us through the highs and lows of Anarkali's life.

In conclusion, Anarkali of Aarah is a poignant, brave, and empowering story that walks us through the lives of regional performers and their constant battle for dignity and respect. With its powerful dialogue, meticulously plotted storyline, and compelling performances, it breathes life into the character of Anarkali and leaves the audience with deep reflections on respect, consent, and justification in society. The film echoes the voices and unspoken stories of many women, making it an important addition to the realm of socially-relevant cinema.