Android

Android is an intriguing blend of science fiction and psychological thriller, released in 1982 and directed by Aaron Lipstadt. The film features veteran German actor Klaus Kinski (of "Nosferatu the Vampyre," "Fitzcarraldo") as the lead character Dr. Daniel alongside Don Keith Opper and Brie Howard.

The movie is set in the not-so-distant future, where the eccentric, reclusive scientist Dr. Daniel is living onboard a high-tech space station. He conducts his scientific research with minimum human contact, enjoying the solitude in a world where technology and synthetic beings, androids to be specific, are predominant. To further replicate human interaction, Dr. Daniel has created an android named Max 404, played by Don Keith Opper. Max 404, whose design is an attempt to mirror the appearance and mannerisms of humans, is Dr. Daniel's only companion. He helps the scientist in everyday chores and his ambitious experiments, further bridging the gap between humans and machines.

Android utilizes its setting to explore questions not only of scientific progress but also human ethics, morality, and affection in a way that feels both fresh and engaging even decades later. Though the movie centers on Dr. Daniel's isolation, Max 404 is unknowingly craving human connect. The relationship dynamics between the creature and its creator subtly contemplates the emotions and desires ingrained in humans.

One day, the quiet of the space station is disturbed by the unexpected arrival of three escape convicts - Keller, Mendes, and Maggie. This trio of characters, with their distinct personalities, brings a jarring shift into the dull and passive life of Max. The entrants have arrived from a more vibrant and free environment compared to the controlled setting that Max 404 is accustomed to. As Max develops a fascination for the criminals, he gets more inquisitive about human behavior, reigniting questioning the social norms and values in his pre-programmed analytical mind.

Throughout the movie, writer-actor Don Keith Opper delivers a remarkable performance as Max 404. His portrayal of the android, showing a balance of subtlety and sentiment, effortlessly fits into the storyline. Klaus Kinski, renowned for his unique intensity, convincingly brings the character of Dr. Daniel to life. He makes you believe in the world of his character - a world where he lives alone with an android, conducting his experiments in solitude. Brie Howard, playing Maggie, adds another layer to the story with a strong-willed, resolute character that acts as a catalyst in Max's exploration of human interaction.

The film portrays a retro, 80s visual aesthetic and oozes a sense of nostalgia. Even though its depiction of the future may seem outlandish by today's standards, much of its charm lies in this visual uniqueness. Furthermore, the movie is notable for its soundtrack, a collection of synth tunes typical of the era that do an effective job in enhancing the atmosphere.

Android prompts the audience to contemplate where the line between human and android blurs in the world of advanced science. The movie raises intriguing philosophical questions about what defines humanity – Is it our biological attributes, or is it our capacity for emotion? It's a stimulating exploration of that blurred boundary that sets Android apart from many other movies in the sci-fi genre.

In the end, Android is a hidden gem of the science fiction genre. It may not have the sprawling epic scale or visual spectacle of other space-set films, but it breaks away from convention with its thought-provoking themes and brilliant performances. Jimmy T. Murakami's artwork on the film also contributes significantly to its individuality and distinctiveness.

Despite the limitations of its low budget, Android is a compelling piece of cinema that doesn’t fail to surprise its audience. The film manages to maintain the balance between haunting psychological pondering and exciting plot progression. The filmmakers use the subtle interplay of characterization, theme, and visual aesthetic to create something out of the ordinary: a quietly profound reflection on the essence of humanity in a world dominated by machines.