Angels from Hell

Angels from Hell is a 1968 American thriller movie that showcases a compelling mix of drama, action, and mid-twentieth century counterculture. The film has gathered numerous fans of vintage cinema and continues to be admired for its raw portrayal of the biker bar subculture.

Tom Stern leads the cast as Mike, the film’s intriguing main protagonist. The narrative follows Mike, a disenchanted Vietnam veteran, who finds his way back home only to realize he cannot re-adjust to the tranquility and monotony of civilian life. Mike is restless and yearns for the camaraderie and adrenaline rush that he experienced on the battlefield.

As Mike struggles to fit into the society he fought for overseas, he decides to direct his tyreless energy towards something rebellious and thrilling: leading a biker gang. Mike is charismatic, assertive, and fearless—traits that make him the quintessential figure to manage ‘The Devil’s Advocates’, the unruliest motorcycle gang in the town.

Ted Markland assumes the role of Speed, Mike's loyal and hot-tempered right-hand man, while Jack Starrett brings to life Bingham, the uptight and authoritarian local police chief. The tension between Mike's boisterous gang and the local law enforcement forms the backbone of the plot, leading to a crossroads fraught with anarchy, adrenaline, and action.

The narratives of Angels from Hell are underscored with raw energy, symbolising the rebellion of the uncertain times in which the film was set. The classic 1960s counterculture permeates every aspect of the movie, from the provocative performances to the stunning direction by Bruce Kessler himself.

The vivid, gritty cinematography masterfully captures the dusty backroads and seedy bar scenes, immersing viewers in the reckless lifestyle that was synonymous with biker bar culture of the 1960s. The film's tone reflects the societal tension budding during the Vietnam era—a nation on the brink of change, depicted through the struggling rebellion of Mike and his band of bikers.

Tom Stern mesmerizes with his compelling performance as Mike, asserting his domination with piercing looks and vehement dialogues. Stern's portrayal of Mike effectively communicates the disoriented state of soldiers returning from war to find norms they no longer relate to. Markland, on the other hand, delivers an emotionally charged performance as Speed, constantly seen oscillating between loyalty towards Mike and his uncertainty about their rebellious path.

Jack Starrett's Bingham is also commendable. His character cleverly represents the other side of the societal divide—the law and order, striving to control civil disobedience. Starrett successfully projects the frustration of running the town law in the face of Mike's defiance.

The film's score, featuring a distinct rock 'n' roll vibe, compliments the tumultuous visuals and storytelling. It underlines the emotions that the characters feel, enhancing their engagements and conflicts. The music, much like the period it represents, is rebellious and exciting, adding depth to the motorcycle chases and bar brawls that characterize the film.

Angels from Hell is a journey back into a turbulent era that was as complex as it was fascinating. It brims with the ethos, the energy, and the ethos of the 1960s counterculture. The film is a valuable cinematic piece for historians and movie buffs who wish to dive deep into a decade marked by social revolution and change.

Overall, Angels from Hell offers a glimpse into the world of motorcycle gangs, emphasising the societal divide in the late 1960s, and the struggle between freedom and order. Packed with dense performances, intriguing storytelling and an unforgettable soundtrack, the film retains its pull long after its end credits roll. This classic action-drama, unrestrained by time, continues to be a precious gem in the realm of cinema.