Anuvahood

Anuvahood is a unique British comedy that offers a fresh spin on urban crime and coming-of-age narratives. The film is notable not only for its laughs, but also for its stark realism and thought-provoking portrayal of life on the streets of London.

Written by British actor Adam Deacon, who also takes up the lead role in the film, and directed by Adam Deacon and Daniel Toland, it's a laugh-out-loud funny street-smart comedy that also serves as a social commentary on life in the inner city. This 2011 film is a witty, clever testament to Deacon’s multi-faceted talents, which have earned him a BAFTA Rising Star Award.

The movie tells the story of Kenneth or 'K', a young man who is on the cusp of adulthood but refuses to grow up. Kenneth lives with his mom on an estate in West London and dreams of a life of ease and fortune. Adam convincingly portrays the character’s blend of innocence and aspiration while capitalising on comedic moments to tremendous effect.

Frustrated at his supermarket job, Kenneth dismally fails to earn street cred as a rapper dubbed 'K-Swiss' and worst, loses his job. Despite facing economic hardship, he incessantly refuses to work at the supermarket again. He decides instead to become a 'respected' gangster and emulate the reputation of those people who seem successful through illegitimate means. He pursues a deluded dream of becoming a respected gangster in his local area, leading to a series of disastrous events that spiral out of control.

Kenneth's comic double act with best friend 'Bookie', played by Femi Oyeniran, anchors the film with their shared dreams of glory and swag, fast cars, and fast women. As Bookie guides Kenneth through the world of petty crime, their friendship is truly tested. Oyeniran brings the right blend of funny and sensible to the character, serving as the perfect foil for Kenneth's larger-than-life personality. The intense, sometimes ridiculous, but grounded dynamics between the two characters allow for fun-filled moments that resonate with raw authenticity.

A standout performance in Anuvahood comes from Ollie Barbieri who injects a dose of pure hilarity into the film as Enrique, the drug dealer. Enrique's Mediterranean 'cool' clashes with the urban landscape of the film, making for some of the movie's most comic sequences. Barbieri excels in the role and has an undeniable chemistry with the rest of the cast.

Throughout the film, the creators smartly employ a powerful UK Grime and Hip Hop soundtrack that accentuates the authenticity of life on London's estates, but also provides a pulsating rhythm to the movie. The music amplifies the narrative’s grit, vibe and its genuine mirth.

Anuvahood is teeming with vibrant characters that give an honest portrayal of urban youth in the UK. The cast delivers exemplary performances that paint a convincing picture of a young man's profligate detachment from reality and his exclusive focus on his errant desires.

Perhaps the film’s greatest strength is its ability to tackle substantial societal issues with humour and exuberance. Using comedy as a vehicle, the movie delves into important themes of crime, aspirations, friendship, and the struggle to find identity and respect. It portrays a realistic depiction of urban life, providing an exploration of social economics, the hardships of urban youth, and the temptation of quick fixes to escape a mundane life.

Anuvahood is an effective satire on the glorification of street life. It underlines the point that not everyone who dresses like a gangster is dangerous, and those wanting to appear tough might not understand the risks attached. While the comedic hooks are the heart of Anuvahood, the film doesn’t shy away from the harsh realities of street life.

Part comedy, part social commentary, Anuvahood will entertain, provoke thought and perhaps even stir a community dialogue about the portrayal and reality of urban life. Deacon and team have crafted a film that uses humour as an effective tool to discuss serious topics, making it worthy of your attention.