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Assignment to Kill

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NR
1968

Assignment to Kill is a thriller movie released in 1968, directed by Sheldon Reynolds and starring a cast led by the talented Patrick O'Neal. Co-starring alongside O'Neal are Joan Hackett, a notable artistic figure of the time, and the legendary John Gielgud. Displaying colorful creativity, Reynolds weaves a fascinating narrative surrounded by espionage, corruption, and intrigue in a classy, dramatic backdrop that characterized many movies during that period.

The film unfolds in Europe, transmitted through a smooth blend of visceral filming and discreet cinematography. The tautly drawn tension is compelling, and the narrative device of international deception appears thematically throughout the movie, syncing up perfectly with the all-round atmosphere and style of the mid-60s. This era has often been named as the "Golden Age of Espionage" in Hollywood.

In the heart of this big-screen thriller, Patrick O'Neal assumes the role of Richard Cutting, an insurance investigator. Cutting is suave, sophisticated, and professional; he's the kind of character that 60's espionage movies were known for. O'Neal's charismatic performance draws the audience into the murky world of international deception, making his character relatable and intriguing.

Cutting is soon plunged into a high-stakes investigation involving international accounting and business fraud. The corporation he is tasked to investigate is led by a nefarious villain wonderfully portrayed by John Gielgud. Gielgud's character, Walter Green, is a shrewd business tycoon suspected of insurance fraud that sees him exploiting countries on two continents. Throughout the movie, we see the strategic mind games between Cutting and Green intensify. The impressive portrayal of these power dynamics by O'Neal and Gielgud keeps the audience on the edge of their seats.

Joan Hackett plays the role of an enigmatic and inquisitive journalist, Dominique Laurant. She is irresistibly drawn to Cutting, her curiosity piqued by his involvement in this dangerous venture. With Hackett's excellent portrayal, Laurant is able to perfectly balance her journalist instincts with her growing attraction towards Cutting. The resulting sparks of romance between Hackett and O'Neal only fuel the already high-stakes game of cat and mouse.

Another aspect that sets Assignment to Kill apart from other movies of its genre is the depths of its characters. Reynolds doesn't simply settle for one-dimensional characters but fleshes them out with a mixture of strengths, weaknesses, and complex motivations. This adds another layer of intrigue to the movie, keeping viewers engaged from the start till the end credits.

The international backdrop adds a sense of grandiosity to the narrative, but it's the intricate set designs and the cinematography that truly stand out. From the detailed interiors to the expansive landscapes captured in breath-taking panoramic shots, every moment on the screen is a delight for the senses. Reynolds channels this visual strength, not only to enhance the narrative but also to reflect the internal turmoil of his characters.

Assignment to Kill is further complemented with a notable score that practically works as an additional character and is crucial in setting the film's distinctive mood. The shifts in music are carefully coordinated with the plot progression, subtly cueing the audience to the escalating tensions and imminent conflicts lurking behind the scenes.

Moreover, in keeping with the genre and period, there are suitably breath-taking action sequences. Impeccable choreography and timing are utilized to heighten the tension of these scenes. True to Reynolds's directorial style, the use of exotic European locales further underscores the allure and danger integral to this engrossing narrative.

Overall, Assignment to Kill is a solid addition to the thriller genre that successfully incorporates elements valuable to similar productions from that era. With O'Neal's suave performance, a gripping plot, sumptuous visuals, and the right balance of romance and danger, this film offers a cinematic journey that fans of classic Hollywood thrillers will undoubtedly appreciate. It's a movie that showcases not just compelling storytelling, but a testament to the potent mix of charisma, tension, and scandal that reigned over the Golden Age of Espionage in Hollywood.

Assignment to Kill is a Drama, Crime movie released in 1968. It has a runtime of 102 min. Critics and viewers have rated it moderate reviews, with an IMDb score of 6.0..

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6.0/10
Director
Sheldon Reynolds
Stars
Patrick O'Neal, Joan Hackett, John Gielgud
Genres
Also directed by Sheldon Reynolds
Also starring Joan Hackett