Back Page

Back Page is a hidden gem of an early talkie hailing from 1933, featuring an engaging story of a tenacious woman working her way up in the predominantly masculine world of journalism. Directed by master scenarist Anton Lorenze, the movie places compelling characters into a plotline that revolves around the American journalism industry in the 1930s. The film successfully reminds modern viewers of the essence and importance of old-school journalism when print media was the primary source of news for the general populace, delivering engaging drama along with a slice of history.

Leading the cast is Peggy Shannon, portraying the fierce and ambitious Jo Dale, a journalist with a nose for news and a desire to make an impact. Shannon convincingly embodies Jo's sacrifice, dedication, and love for her job. Her fervor for unearthing the truth at all costs resonates through every frame. Jo Dale is an emblem of female empowerment in a work environment dominated by men. She truly defies societal norms, radiating an inspirational and independent spirit.

Russell Hopton co-stars as the easy-going yet honest Bob Bartel. Hopton does an excellent job of portraying Bartel's genuine understanding of the journalistic landscape and the emotional struggles that his job entails. His journey alongside Jo Dale adds a dynamic interplay which serves as an underpinning to the film's central plot.

Claude Gillingwater lends his talent into the role of T.Z. Moriarty, a tyrannical newspaper magnate who dictates the editorial policy of his newspaper, willingly sacrificing the truth for sales metrics. Through the portrayal of Moriarty, the film encapsulates the challenges and dilemmas faced by old-age journalists, struggling to maintain their integrity.

Set in the Great Depression era, the film effectively portrays the socio-economic realities of that period, entwining them with the world of journalism. Through Jo Dale's character, it explores the struggle of a female journalist in the male-dominated industry, her battles against gender discrimination, and her pursuit to create an identity for herself. The impressive narrative brings forth the ethical issues stemming from the business aspect of journalism, highlighting conflicts between morality and sales-driven content.

Moreover, Back Page explores the shift in journalism practices from responsible reporting to sensationalism. The clash between the desire for unbiased, accurate news, and the seduction of sensational false stories which sell more, forms the core conflict. This dynamic is clearly illustrated through Moriarty's unscrupulous newspaper management and Dale's fearlessness to confront such malpractices.

The film’s technical aspects lend it a distinct charm. The visuals create an authentic vintage outlook— be it the bustling newsroom or the local diner; the settings are remarkably period-accurate. The cultural and social nuances of the era get a fitting tribute through the meticulous art direction and set design. Cinematography is crisp, capturing the mood of the scenes with the use of evocative lighting and clever camera techniques.

In addition to this, Back Page aids in understanding how the print industry worked, providing an authentic depiction of newsrooms, printing processes, and distribution systems of the 1930s, albeit in a film format. This acts as a significant historical commentary which is educative and insightful for modern viewers.

In terms of storyline, the movie stands out for its portrayal of a strong, driven female protagonist who defies societal expectations to pursue her passion, a theme quite ahead of its time. It falls under the blend of drama and romance genres, ensuring an engaging watch. While a good portion of the movie deals with themes of journalistic integrity and news industry politics, it also interweaves a thread of romance that adds an element of warmth to the otherwise intense plot dynamics.

In conclusion, Back Page is a unique cinematic experience that sheds light on the historical aspect of the journalism industry with a captivating narrative. Peggy Shannon, Russell Hopton, and Claude Gillingwater have put forth commendable performances that drive the core of this story set against the backdrop of 1930s America. For anyone interested in classic cinema, strong female leads, or an authentic picture of old-time journalism, Back Page is an engrossing film that significantly enriches the viewer's understanding of the bygone era.