Bartleby

Bartleby, a movie released in 1970, is a compelling and enigmatic representation of Herman Melville's classic short story "Bartleby, the Scrivener". Directed by Anthony Friedman, and featuring some of the most talented actors of that time, Paul Scofield, John McEnery, and Thorley Walters, the movie brings out the disturbing aura of Melville's story and reflects on the inertia of modern work life.

As a character, Bartleby is both simple and complex. Filled with emotions and yet devoid of any desire or passion, Bartleby is the epitome of passive resistance. He remains a canvas onto which the viewer can project their interpretations. The brilliance of Paul Scofield's acting ensures that Bartleby's character remains an eternally inscrutable entity.

In the film, Bartleby, played by Paul Scofield, is hired in a law office where he is to maintain legal documents. The owner of the law firm, portrayed by John McEnery, soon encounters an unusual problem. Bartleby, who initially seems to be a diligent worker, exhibits an odd behaviour. Despite being co-operative, he repeatedly answers his employer's requests by saying, "I prefer not to". This phrase though apolitical and non-confrontational, becomes a powerful tool of defiance. It seems innocuous at first but gradually challenges the whole structure of command, control and obedience within the organization.

The movie encapsulates an intense atmospheric feeling of distressed existentialism. The stylized techniques used by Friedman in 'Bartleby' incorporate powerful visual elements that resonate with the gloomy and claustrophobic vibe of Melville's short story. The film's aesthetic sensibilities, which include haunting long shots and a grey colour scheme, give rise to a dark, dream-like atmosphere.

A substantial part of the movie's tone is set by the brilliant ensemble cast. John McEnery's character as the employer brings out the bafflement and intrigue faced when dealing with Bartleby's unique form of defiance. His growing frustration at his inability to understand or control Bartleby makes for compelling viewing. The futile exchanges between the employer and Bartleby become the crux of the plot, reflecting themes of despair, compulsion, and the inevitability of routine.

Thorley Walters’ character offers a keen perspective and third-party view amidst the baffling interaction between Bartleby and the employer. Through his character, viewers witness the impact of Bartleby's inexplicable presence on the other employees, adding another dimension of nuance to the film.

Punctuated by moments of profound silences and subtle background scores, 'Bartleby' paints a relatable yet uncanny picture of the monotonous daily grind, filled with meaninglessness. It resonates with the isolating nature of professional life and the bleakness of unrelenting routine.

Yet, the genius of the film lies in its openness to interpretation. Is Bartleby's character a critique of the mindless labor of corporate life, too uninterested to participate, or is he a symbol of silent revolt against a monotonous existence? Or maybe he is just a man out of sync with societal norms. These anomalies make Bartleby a compelling figure even after years have passed.

The film 'Bartleby' thus poses more questions than it answers, staying true to the surrealist nature of Melville's story. Just as the book, the movie also enjoys a cult following, partly due to its bewildering protagonist and partly due to its articulate depiction of silent rebellion. Even after decades, the film continues to be relevant and couches its social critique in an engaging narrative and striking visuals. It poses a challenge to norms, logic, and established structures, forcing viewers to think and reflect, thereby maintaining its timeless appeal.