Being Two Isn't Easy

Being Two Isn’t Easy is a delightful and heartwarming Japanese film that first debuted on the silver screen in 1962. Directed by prolific and notable director, Kon Ichikawa, the film dives into the complexities and hilarity of parenthood, the wonders of childhood, and the beauty of family bonds. Starring Fujiko Yamamoto, Hiroo Suzuki, and Eiji Funakoshi, these seasoned Japanese actors lend their exceptional talents to bring this story to life in a captivating manner.

The plot of the film is a rather ingenious twist on conventional film narratives as it is largely told from the perspective of an endearing two-year-old toddler, named Taro. Hiroo Suzuki beautifully embodies the adorable, curious, and sometimes mischievous character of Taro. His performance wonderfully articulates the wide-eyed wonder, simplicity, and innocence of early childhood, making the film a nostalgic journey for adults and an engaging watch for the little ones. Bulbous-eyed and curious as a kitten, this toddler view of the world around us offers a refreshing perspective laden with innocent humor and profound insights delivered with childlike simplicity.

Fujiko Yamamoto and Eiji Funakoshi, playing Taro’s parents, also deliver compelling performances. The talent of these veteran actors in portraying the universal struggles and joys of parenthood is truly commendable. Looking after Taro and keeping pace with his relentless curiosity forms the crux of their daily lives, leading to a series of hilarious and heartwarming incidents. Through scenes of normal family life, the movie paints an absurd and endearing picture of early parenthood that many viewers will find relatable.

Although set in the 1960s, the film remarkably captures themes that are timeless and universal – the blissful mirth, the boundless curiosity of toddlers, and the resulting comedy of errors that every parent can relate to. Told largely through visual story-telling and scenes from everyday life, the movie does not rely on heavy dialogue, making it universally understandable and relatable across different cultures and languages.

However, Being Two Isn’t Easy is not simply a comedy. There is an undercurrent of poignant revelations about life, innocence, and maturity that are subtly woven into the narrative. Through the lens of childhood, the film explores adult themes and societal norms in a vein that is profound yet not pedantic. Among its many themes, the film touches on the chaos and beauty of child-rearing, the complexities of adult life seen through innocent eyes, and the often-ignored perspective of children thrust into a world they are yet to understand.

The cinematography of the movie is another significant aspect that enhances its appeal. With beautiful shots of Japan's urban and domestic life in the 60s, the film transports viewers to another era. Rather than drawing attention to itself, the aesthetic backdrop quietly enhances the narrative, anchoring it firmly within the social and cultural milieu of its time. It also serves as a nostalgic reminder of a bygone era, making the film not just a timeless comedy but also a visual treat.

Director Kon Ichikawa deserves special mention for skilfully encapsulating such complex and diverse themes into a lighthearted yet thought-provoking narrative. Known for his creative versatility, Ichikawa beautifully juxtaposes elements of comedy, drama, and satire in Being Two Isn't Easy, showcasing his signature filmmaking style and inventive narrative techniques.

In conclusion, Being Two Isn't Easy is a cinematic gem that presents an incredibly fresh perspective on everyday life, making it a must-watch for individuals of all ages. This film provides a unique and profound cinematic adventure about the journey of childhood and parenthood in a way that only a master such as Kon Ichikawa can deliver. With its exceptional storyline, commendable performances, and brilliant execution, Being Two Isn’t Easy is a film that will leave a lasting impression and entertain audiences for generations to come.