Big Fella

Big Fella is an engaging and captivating British drama film that dates back to 1937, directed by J. Elder Wills. Notably, the movie stars iconic American singer, actor and civil rights activist, Paul Robeson, alongside talented performers such as Elisabeth Welch and Roy Emerton.

Set in the exotic and vibrant city of Marseilles, the film is predominantly a musical drama that effectively combines elements of comedy and social critique. Robeson plays the role of Joe, a sincere and charismatic dockworker with a soulful voice. The film showcases Joe as an individual of high moral fiber and highlights his compassionate nature, marked by his readiness to help anyone in need. The plot weaves interesting strands of conflicts, dilemmas, journeys, and discoveries that keep the audience engaged.

Within this narrative, Robeson's vocal prowess is a key feature that complements the storyline and drives the film narration. Specific musical sequences, fused with the lively, rhythmic African and jazz styles, form an integral part of the film and are strategically positioned to amplify emotional responses from the audience. Some of the standout songs include "Sleepy River", "Mah Lindy Lou", "Roll Away, Clouds" and "I Still Suits Me", and all serve to highlight different stages or moods of the story.

The film revolves around Joe's unique camaraderie with a wealthy young boy, Mickey, played by Eldon Gorst, who mysteriously disappears from his lavish home. His affluent parents are distraught, resulting in a citywide search, and it is the kind-hearted dockworker, Joe, who becomes an unexpected ally in their quest to locate and return the child. The bond between the boy and Joe forms the crux of the story, displaying the meeting points and divisions of class and race, and robustly exhibits the protagonist's relentless nature to do right.

Supporting the lead actor, Elisabeth Welch, who plays Miranda, adds a charming romance aspect to the film. As Joe's love interest, Miranda's character appears strong-willed and affable, propelling the story forward and providing a subplot that leads the viewers through an array of emotions.

Further, Roy Emerton as the villainous Bill, another dockworker full of malevolent designs, provides a dynamic contrast to Joe's character. His hardened demeanor and ruthless actions complement the story and create a dramatic edge that enlivens the narrative, making it more engaging and thrilling to watch.

Above all, Big Fella subtly explores the themes of racial prejudice and inequalities of the 1930s society, whilst maintaining a focus on camaraderie, love, and human morality. The film is a unique amalgamation of a gripping narrative, mesmerizing music, and thought-provoking social commentary, which is sure to resonate with viewers, even today.

Visually, the black-and-white film effectively captures the atmosphere of Marseilles, with its bustling streets and active harbor front, to the luxuries of the affluent lifestyle. Director J. Elder Willis successfully blends these elements, thereby enhancing the authenticity of the film.

Paul Robeson's larger-than-life presence and resonating baritone, in combination with the musical sequences and robust storyline of Big Fella, provide an intriguing look into the intersections of class, race, and societal structures. Not only does the film pay tribute to his impressive career as a performer, it also showcases Robeson's unwavering commitment to addressing social issues, making Big Fella not just a movie, but a testament to his enduring legacy.