Bliss

Bliss is an exceptional and notable Australian film that debuted in 1985. The film is a careful blend of intriguing genres: dark comedy, drama, and fantasy. Directed by the reputable Ray Lawrence, the film stars Barry Otto, Lynette Curran, and Helen Jones in vital roles.

The plot revolves around the life of Harry Joy, performed by the charismatic actor Barry Otto. Harry is a successful advertising executive leading a seemingly idyllic life. He has an attractive wife named Bettina, embodied by Lynette Curran, and two adult children. However, his life takes a sharp turn when he suffers a heart attack. His near-death experience propels him into an existential journey marked with surreal elements.

After his recovery, Harry's perception of life alters substantially. He witnesses his surroundings with a sense of unfamiliarity and bewilderment, discovering aspects of the world that had hitherto been hidden to him. Bettina, his loyal wife, engages in adulterous affairs while his children indulge in transactions of illicit drugs. His once perfect professional world now seems riddled with corruption and deceit.

Consequently, Harry begins to question the purpose and meaning of everything around him, sparking his dive into a complex internal and external exploration of reality. Barry Otto's portrayal of this character, struggling with his new reality, is sensitive and evocative.

The movie also introduces the character Honey Barbara, played by Helen Jones. She stands out as an almost ethereal figure who lives an alternative lifestyle on the fringes of society. She develops a unique relationship with Harry, serving as a beacon of hope and realness in his newly perceived world. She brings a sensuous, subversive undertone to the story, standing in stark contrast to the superficiality of Harry's former life.

Bliss explores a variety of themes, such as the moral decay of materialistic society, the importance of self-discovery, the disillusionment of personal and professional relationships, and the concept of reincarnation, among others. It juxtaposes the seemingly perfect world of middle-class suburbia with a more subjective, surreal perspective that underscores the inherent hypocrisy and falseness of such a lifestyle. Simultaneously, it contrasts this superficiality with the raw beauty of the simpler, more spiritual way of life led by Honey Barbara, thereby underlining the many paradoxes that comprise human existence.

Ray Lawrence employs unique narrative structure and direction that play with the perceptions of the viewer, maintaining a mystery and leaving the interpretation open-ended. The cinematography, composed of a mix of both vibrant and muted colors, effectively sets the tone for distinctly contrasting scenarios. The colors themselves function as a linguistic scheme, adding depth and layers to the storytelling.

In terms of recognition, Bliss is not without its laurels. It stands as the winner of the Cannes Film Festival's award for Best First Feature and has garnered warm attention from the Australian Film Institute. It can be attributed to the bold storytelling, influential actors, and evocative cinematography that the film has rightly carved out its spot in the annals of Australian cinema.

Moreover, the contribution of the cast and crew is noteworthy. Barry Otto delivers an impactful performance as the lead protagonist, his acting prowess diving into the complexities and nuances of his character with ease. Lynette Curran and Helen Jones perform their roles admirably, their portrayals fitting seamlessly into the narrative.

The film is a rich source of socio-cultural commentary, using its narrative to prompt re-evaluation of societal norms through its lens. Its compelling, thought-provoking story combined with skillful acting and expressive cinematography make for an unforgettable viewing experience.

In conclusion, Bliss from 1985 is a bold deviation from conventional storytelling. It carries a genuine grittiness, transforming a grim-themed story into a gripping tale of self-discovery, transformation, and redemption. This film is a must-watch for those seeking an eccentric, thought-provoking narrative replete with dark humor and surrealism.