Boss, The

Boss, The is a gripping crime action film directed by Fernando Di Leo and released in 1973. This film is the third installment in the series of Italian poliziotteschi (police action) films, known as the Milieu Trilogy, that became popular in the mid-20th century. The movie is characterized by its political themes, realistic portrayal of Mafia operations, and typically violent action sequences. The film features the exceptional performances of Henry Silva, Richard Conte, and Gianni Garko in the leading roles.

The film revolves around the power dynamics in the mafia world, the struggle for dominance, and the inevitable violence and corruption that follow. It depicts a realistic representation of the Mafia as an organization deeply embedded in society, with wide-ranging influence and deeply entrenched roots in both the underworld and legitimate businesses.

Henry Silva takes on the role of Nick 'The Greek' Lanzetta, a cold, calculating hitman working for Don Corrasco, portrayed by Richard Conte. Lanzetta is essentially the right-hand of Corrasco, executing the more nefarious dealings of the mafia boss.

Set in the turbulent backdrop of 1970s Sicily, the film provides an uncompromising interpretation of the power dynamics within the Mafia hierarchies, as well as its interaction with society. Amidst this, Lanzetta's loyalty, precision, and commitment to the 'business' make him a reliable enforcer in the corrosive world of organized crime.

Richard Conte's portrayal of Don Corrasco sees him as an authoritarian figure trying to maintain dominance while navigating a complex web of alliances and betrayals within the mafia world. The character of Corrasco is shaded with layers of ruthlessness, sagacity, and a certain charisma that Conte brilliantly brings onscreen to depict the intricate life of a mafia don.

Meanwhile, Gianni Garko shines as rival mafia boss Don Daniello. This character showcases the other side of the coin in the mafia world, where power, fear, and respect play important roles. Garko masterfully brings this character to life – both the ruthless and calculative elements of his personality.

The movie employs a non-linear narrative, employing flashbacks and rich character development. There is a strong emphasis on dialogues, reflecting both the crafty political manipulations employed by the characters as well as the raw, gritty vernacular language.

Fernando Di Leo crafts an extensive universe in Boss, The, exploring the functioning of the Mafia from different perspectives – its operatives, its conflicts, the power plays, and its sway over society. The director maintains a fast-paced narrative filled with cliffhangers, unexpected twists, and riveting action sequences that keep the audience on the edge of their seats.

A significant aspect of the film is its unflinching depiction of violence. The movie's action sequences and brutality depict an unvarnished reality of life in the mafia. These scenes are not for the faint-hearted but serve to underscore the merciless nature of the mob world, where power and control are consistently maintained through intimidation.

The movie weaves in various subplots and themes like love, loyalty, betrayal, and power, creating an intricate tapestry that represents the intertwining realities of organized crime and society. Yet, amidst all its darkness, Boss, The achieves to highlight moments of humanity, vulnerability, and a sense of tragedy inherent in such a brutal world.

The cinematography of Boss, The is a significant highlight. It painstakingly sets the mood of the film, with an intelligent use of light and shadows, and carefully constructed set pieces to give an authentic feel to the milieu in which the Mafia operates.

In its essence, Boss, The is a hard-hitting and gripping mafia drama, craftily conceived, and masterfully executed, with the objective of providing a window into the functioning of the Mafia, stripping away the glamor traditionally associated with such narratives. Di Leo's third installment in the Milieu Trilogy remains a timeless piece that brims with unforgettable performances and visceral action sequences that have established it as a cult favorite among fans of crime cinema. It brings with it a legacy of a gritty, authentic portrayal of the mafia world, and emerges as an unmissable entry in the realm of international crime films.