Boy, Did I Get a Wrong Number!

Boy, Did I Get a Wrong Number! is a charming 1966 comedy film directed by George Marshall and starring Bob Hope, Elke Sommer, and Phyllis Diller. This light-hearted movie offers an enjoyable mix of slapstick humor, captivating comedy of errors, and a delightful showcase of the comedic genius of Bob Hope.

In the film, Bob Hope plays the role of Tom Meade, a successful yet beleaguered real estate agent, caught in a whirlwind of comic events when a series of miscommunication and mistaken identities spiral out of control. His life takes a turn for the unexpected when he inadvertently dials a wrong number, hence the title "Boy, Did I Get a Wrong Number!" In a hilarious twist of fate, the person on the other end of the line is not who he expects.

Tom finds himself connected to a renowned Hollywood actress, Didi, a role masterfully portrayed by the radiant Elke Sommer. Didi is in the midst of her own personal scandal when the call comes, and an unlikely camaraderie begins to form between her and Tom. Their unexpected connection sets the stage for a series of comic events that become increasingly complicated and humorous. Didi's unexpected arrival pushes Tom into funny and awkward situations that leave the audience in splits.

Ever the capable comedian, Bob Hope effectively capitalizes on his character's ordinary nature implausibly caught in extraordinary circumstances. He attempts to maintain a normal family and professional life while a glamorous and controversial film star suddenly transforms his house into her impromptu hideout.

Yet, adding to the comic chaos is Lily, portrayed hilariously by Phyllis Diller, who works as Tom's housekeeper. Lily's sarcastic wit and her comedic interjections amplify the hilarity of the whole situation. Her unfiltered comments and eccentric behavior generate side-splitting laughter, making her character unforgettable.

The movie plays out as a splendid parade of laughs and errors, with Tom’s misadventures and efforts to protect this unusual secret from his wife and the scrutinizing public eye. Tom’s endeavors lead to further complications, escalating the mirth and humor even more as the film progresses. Simultaneously, the unexpected rendezvous creates a connection between the worlds of Didi and Tom, a residential real estate broker from Oregon, amusingly contrasting Didi's glitz and glamour of Hollywood lifestyle.

Boy, Did I Get a Wrong Number! plays up the suspense and the elements of surprise, making sure you’re always guessing what’s coming next, ensuring there isn’t a single dull moment. Mention must also be made of the film’s engaging screenplay and the clever dialogues that generate much of its humor.

The delightful performances by the cast bring the movie to life. Bob Hope, of course, remains at the heart of the film, demonstrating his unmatched comic timing with his bemused reactions and witty punchlines perfecting the ordinary-man-thrust-into-an-extraordinary-situation trope. Sommer portrays the vexed starlet role wonderfully and captivates the audience with her glamorous presence. Diller, as the unique, quirky housekeeper, leaves a mix of shock and laughter in her wake, infusing an excellent comedic presence.

Director George Marshall’s experience with comedy is evident in the brilliantly constructed scenes and the manner in which he allows both the script and his characters to shine. The film’s cinematography is vibrant and provides a delightful view of the mid-1960s’ settings and fashion.

While Boy, Did I Get a Wrong Number! inevitably contains slapstick humor and somewhat predictable comedy, it remains a solid example of classic 60s comedy films, thanks to the skillful performances and well-crafted humor. Complete with its amusing complications and the evergreen charm of Bob Hope, this film is sure to tickle your funny bone and leave you with a smile on your face.

In conclusion, "Boy, Did I Get a Wrong Number!" from 1966 is a light, entertaining time capsule of classic Hollywood comedy, allowing audiences to enjoy the comedic brilliance of the era served by an outstanding ensemble cast.