Boy What a Girl

Boy What a Girl is a highly engaging American musical comedy film that was released in 1947. This insightful and captivating flick is directed by Arthur H. Leonard, highlighting exceptional performances from an all-black cast. It stars acting geniuses such as Tim Moore, Elwood Smith, Duke Williams, and Betti Mays, portraying riveting characters that add depth and charm to the film.

Tim Moore, widely acclaimed for his role on the television show "Amos 'n' Andy," graces the screen as Sam P. Winthrop, an industrious and ambitious producer who is on a challenging path of mounting a Broadway musical. Elwood Smith, best known for his stage roles, adds another layer of depth to the film with his role as a Harlem con man named G. Beaufort Beasley. Duke William, another established actor of his time, lends his charm and charisma to his character.

Boy What a Girl commences with Sam P. Winthrop, desperately trying to raise funds for his upcoming Broadway show. In a compelling turn of events, a Harlem hustler, posing as a wealthy Englishman, may potentially rescue Sam from his fundraising woes. The con man, G. Beaufort Beasley, disguises himself as Madame Deborah, a prominent and affluent British stage actress, and enters the life of Sam, thereby setting the stage for a series of comedic and chaotic situations.

The movie explores the themes of identity, deception, and ambition with a delightful mix of comedy and theatrical drama. Viewers find themselves engrossed and amused by the hustler as he creatively maintains his disguise, convincingly representing a whole new personality and dealing with the predictable and unpredictable consequences that his "performance" invites.

The film involves several plot twists that manage to keep the audience on their toes, all the while maintaining a light-hearted and comic atmosphere. The comedy is interspersed with well-choreographed dance sequences and spirited songs, giving it an exuberant musical vibe. The enthralling performances of a troupe of spirited showgirls and the Gene Thomas Chorus enhance the musical elements, making the film an even more memorable experience.

Adding flair to the musical dimension of the movie, it boasts performances by several noteworthy musicians of the time. The performances by the International Sweethearts of Rhythm, a distinguished band comprising all-female members, add an alluring and upbeat tempo to the movie.

The film's execution brilliantly complements its unique and well-scripted storyline. The direction skillfully intertwines the elements of humor, drama, and music, creating a compelling cinematic experience. The comedic scenarios effectively retain a fresh and thrilling essence throughout the narrative, with each character perfectly crafted and detailed.

It is worth noting the movie's outstanding production values. The sets effortlessly depict the 1940s and authentically radiate the essence of Broadway and Harlem. The costumes and props masterfully add character and authenticity to the film, representing every little detail of the era the movie is set in.

Boy What a Girl serves as a standout film from the late 1940s, particularly in highlighting the talent pool of African-American actors, musicians, and performers of that era. The movie is a beautiful amalgamation of a compelling narrative, well-crafted characters, remarkable acting performances, and the exhilarating rhythm of music and dance, reflecting a rich tradition of African-American theatrical and musical heritage.

Overall, Boy What a Girl is a fascinating comic romp that explores themes of ambition and identity, set against the vivacious background of Broadway's music and dance. It makes for an entertaining watch that celebrates the talent of its all-black cast and acknowledges their contributions to the fabric of American cinema. It is a cinematic gem from the 1940s, blending humor with heartfelt performances, and unforgettable musical interludes.