Can-Can

Can-Can is a 1960 American musical film, glittered with doubtless charm and infectious joie-de-vivre. The illustrious Walter Lang directs this Saint-Saëns and Offenbach scored confluence of law, love, and dance in the gay '90s Paris, with an iconic star-studded cast composed of Frank Sinatra, Shirley MacLaine, Maurice Chevalier, and Louis Jourdan. The screenplay, done by Dorothy Kingsley and Charles Lederer, borrows inspiration from Abe Burrows' broadway musical 'Can-Can.'

In the heart of Paris, nestled in Montmarte, 'Bal du Paradis' is a spirited subversive nightclub bravely directed by the equally spirited female lead, Simone Pistache (Shirley MacLaine). Dressed with an undeniable daring do, she's infamous for challenging the norms via her nightclub, primarily through the provocative performances of the previously outlawed dance, Can-Can. The club's glaring disregard for the Law attracts the attention of city authorities, represented by the self-righteous and sternly upright Parisian judge, Philippe Forrestier (Louis Jourdan).

Meanwhile, Frank Sinatra adorns the character of the rakish lawyer François Durnais. His airy demeanor starkly contrasts the character of Philippe, and yet the two find commonality in their love interest, Simone. Sinatra effortlessly brings his signature panache and renowned vocal prowess to his role, giving audiences truly memorable musical numbers.

Amid the pursuit of justice and love, musical numbers find their memorable spots. Featuring music and lyrics by the quintessential Cole Porter, Can-Can hosts a track list that soon found its way into the annals of musical film history. With Sinatra's powerful voice rending 'C'est Magnifique' and 'It's Alright With Me,' audiences are led to groove cheerfully. One cannot forget MacLaine's high-spirited rendition of 'I Love Paris,' bringing a unique character to the city. The film also offers an opportunity to witness the reprisal of the Can-Can dance by a company of enthusiastic performers, culminating in a riotously colorful spectacle that resonates throughout the production.

Maurice Chevalier adds to the excitement as Paul Barriere, a character who weaves through the plot with France's habitual nonchalance, adding layers of wit and humor to the narrative. With his classic charm and charisma, Chevalier contributes to some of the film's most entertaining moments.

Can-Can takes the viewers' emotions on a roller coaster ride as it explores themes of love, loyalty, liberty, and conflict against the backdrop of a vibrant Parisian locale. Images of 'La Belle Époque' float throughout as does the boisterous flavor of Montmarte. The narrative advances with a series of comedic ironies and dramatic flirtations intricately woven around the central theme of the Can-Can dance.

Towering with elaborate set designs and brilliant cinematography, the film is a technicolor treat. Leon Shamroy's cinematography splendidly captures the tone of the plot. He plays with a palette of moody blues and passionate reds that bring forth the lively essence of nightclubs and bright open shades for the spirited daylight sequences. Meanwhile, the carefully planned costume designs breathe life and authenticity into the roles.

The performances are effervescent, especially MacLaine's lively portrayal of a vivacious cabaret proprietor and her dance revue. Renowned for her acting prowess, she delivers a captivating performance, her gleaming presence on-screen complementing the very essence of the Can-Can. Sinatra brings to the screen his trademark relaxed elegance, while Jourdan successfully manages to instil in the audiences a sense of moral ambiguity over his character.

Despite being primarily a fun-filled romantic musical comedy, Can-Can subtly underlines the ideological clash between the liberal and conservative mindsets prevalent during the era. Its clash of morality and art is dealt with a light touch, serving its viewers with enchanting music and entertaining humor while subtly addressing a broader cultural context.

In the end, Can-Can is a testament of the offerings of 1960's American film musicals, cleverly weaving together different narrative elements within a comedic frame, and serving its audience a larger-than-life spectacle. It is a must-watch for those who appreciate the charm of the classics, filled with exquisite musical numbers and augmented by the performances of its star-studded cast.