China Doll

China Doll is a drama and war film that was first released in December of 1958. This classic Hollywood picture was directed by Frank Borzage and produced by Bert E. Friedlob. The film features the exceptional talents of Victor Mature, Li Hua Li, and Ward Bond in the lead roles. It's an unusual war-themed love story set against the backdrop of WWII.

Victor Mature takes on the role of Cliff Brandon, an American air cargo pilot stationed in China during the later years of World War II, specifically around the time of the Burma Campaign. Brandon is depicted as somewhat rough around the edges and seemingly hardened by the war's brutality. Despite this tough exterior, throughout the film, he continuously exhibits an underlying gentle and empathetic nature.

Opposite Mature is China's very own glamorous star - Li Hua Li, who plays the role of the gentle and subtle Shu-Jen. Shu-Jen is introduced as a human gift to Brandon from his grateful Chinese aide named Sammy, played by Bob Mathias, to serve him as a housemaid. Though initially reluctant, Brandon, moved by her dire circumstances, agrees to hire her. Shu-Jen, in turn, serves with an unflinching loyalty and grace, endearing herself to Brandon. As the movie unravels, their relationship takes on a lovely and complex dynamic.

Ward Bond plays the role of Father Cairns who, despite his brief appearance, leaves a significant impact on the storyline. He offers guidance and a sense of morality amid the chaotic backdrop of the war. The interaction between him and Brandon adds another layer to the multifaceted character of Brandon.

In true Frank Borzage style, the movie ingeniously portrays the harsh realities of war juxtaposed with a beautifully tender, human love story. Despite it being a war film, the film’s approach to depicting war is often subtle and avoids being too graphic - showcasing Borzage's knack of putting forth a narrative without relying heavily on violent sequences or action-packed scenes. The real war is more of an ominous backdrop against which the equally powerful personal dramas play out.

The juxtaposition of the coarse and rugged world of war with the engaging bond that develops between Brandon and Shu-Jen forms the crux of the story. The director beats the typical Hollywood clichés of love in war and presents the audience with a unique and touching narrative that explores different shades of affection, responsibility, duty, and love.

The cinematography of the film deserves special mention. As with many films from the era, the sharp black and white imagery adds to the mood and emotion of the film. Furthermore, the movie beautifully captures the landscape of the East with an emphasis on local culture and traditions. The careful attention given to costume design and set design transports viewers back in time and across the globe, contributing significantly to the overall authenticity of the film.

The film is punctuated with dialogue that is both engaging and reflective, providing profound insight into the personal struggles of the characters amidst the larger turmoil of the war. The performances by both Victor Mature and Li Hua Li are commendable, and the chemistry between them is palpable, making their relationship feel genuine and believable.

At its core, China Doll is a tribute to faith, love, kindness, and humanity's resilience during times of conflict. The film tactfully explores the complexities of relationships in the midst of the battle, and it highlights the inherent need for human connection even during dire circumstances. Throughout its 99-minute run time, the film manages to tell a story that is touching, engaging, and, above all, profoundly human.

This engaging war-time drama, full of emotional depth and surprising softness despite its harsh setting, is a must-see for both war-film enthusiasts and classic movie fans. China Doll has stood the test of time and continues to remain relevant and stirring even in today’s complex world.