Chris D'Elia: Incorrigible

Chris D'Elia: Incorrigible is a renowned stand-up comedy feature film released in 2015 that stars the brilliant, quick-witted comedian Chris D'Elia. This captivating program, directed by Bill D'Elia, is an exquisite blend of slapstick humor and sharp observational comedy that fans and critics have praised. Chris D'Elia's comic prowess is on full display in this Netflix original set, as he takes the stage in his second special for the live streaming network, following his hugely successful debut, 'White Male. Black Comic.'

Incorrigible serves as a wild showcase of D'Elia's unmatched, audacious storytelling technique that's a breath of fresh air for the stand-up comedy genre. Adding to its distinction is the venue itself, the inordinately adorned Wiltern Theatre in Los Angeles, that serves as the ultimate backdrop for the comic's animated performance. Chris explores a variety of topics in Incorrigible, traversing the social, personal, and utterly absurd terrains throughout his set.

Featuring a runtime of approximately 83 minutes, the comedian primarily delves into his life experiences, unabashedly sharing hilarious anecdotes from his single, bachelor life. His energetic performance, full of personal anecdotes and gut-busting punchlines, is a roller coaster ride through his perspective on dating, awkward social scenarios, and the eccentricities of everyday life.

Chris D'Elia is known for his distinctive style, swaying between careful, measured comedic timing and explosive, off-the-cuff tirades. Incorrigible is no exception, as he expertly balances polished comedy with unpredictable interruptions. From discussing his lack of maturity to poking fun at his 'drunk girls' impersonation, D'Elia effortlessly shifts the pace and tone of his performance.

Incorrigible also opens a window into D'Elia's physical comedy skills. His expressive facial expressions, body language, and unique voices further embellish his comedic storytelling, making his performance both visually amusing and auditorily hilarious. His knack for hilarious impressions and mimicry is second to none, as he imitates a range of characters from the likes of wild animals to intoxicated women at a club.

Chris D'Elia's humor is relatable for all ages and walks of life. As he makes fun of social media culture or draws analogies between his life and that of wild animals, the audience finds themselves drawn to his humor instantly, unable to resist laughter. He masterfully addresses the very human instinct to be 'incorrigible,' as he somehow makes even the most irredeemable aspects of our nature humorous.

Incorrigible also allows Chris D'Elia a platform to showcase his sharp wit and an impressive ability to deliver on-the-spot humor. Not only does he present prepared material, but he also interacts with the audience, creating a compelling blend of preplanned humor and spontaneous laughter.

In one highlight, D’Elia delivers an unforgettable routine where he compares humanity to bears, exhibiting his ability to weave bizarre yet hilarious comparisons to expose our most primal instincts. He dives into his commentary about modern culture with such audacious absurdity that you can't help but laugh at the eccentricity of it all.

Amazingly, D'Elia exhibits control over the skits so you never feel overwhelmed or disoriented, regardless of the speed or the abruptness of his journey through outrageous premises. His transitions are smooth, and he has a knack for tying seemingly disparate threads together under a larger theme or joke.

In essence, Chris D'Elia encapsulates a wide range of comedic styles and performance techniques in Incorrigible. His brazen take on daily life wrapped in uncensored wit and over-the-top mimicry makes the show a must-watch for those who enjoy stand-up comedy. Incorrigible is an impressive spectacle that highlights Chris D'Elia's natural comedic talent. The show proves D'Elia is firmly settled in the upper echelons of comedy, ensuring that you are left with plenty of quotes and anecdotes to chuckle over long after the microphone has been placed back on the stand.