Citizens of the World

Citizens of the World is an Italian comedy-drama that unwinds the modest yet expansive journey of three elderly gentlemen, brought to life by the notable performances of Ennio Fantastichini, Giorgio Colangeli, and Gianni Di Gregorio. Directed by Gianni Di Gregorio, who also stars in this movie, the film exemplifies a beautifully crafted narrative that points out comedic insights about ageing and male friendship while managing to pose larger inquiries about life and the human condition.

The movie delves their journey protagonists embark upon, which, to their surprise, goes beyond just a geographical shift. It’s about belongingness, companionship, and, more importantly, finding comfort and satisfaction in their declining years. Each of their characters has a distinct personality and the trio dynamically complements each other in unveiling these individualistic traits.

Ennio Fantastichini's character, a retired professor, is intellectual yet a bit naïve. Giorgio Colangeli’s character, a seasoned barber, is the most practical one with a knack for dealing with things head-on, a trait acquired from his years of engaging with the working class of the society. Di Gregorio, in contrast, is a laid-back, easily influenced, and occasionally clueless retired librarian. The vision of the sophisticated professor, the practical viewpoint of the barber, and the observant and reflective nature of the librarian make up a hilarious yet thoughtful trio, seeking something more substantial out of their retirement.

The plot of Citizens of the World can be regarded as a response to the decline of contemporary Rome from their perspective. Residing in the Trastevere district, a place that once represented the grandeur and the bustling lifestyle of Rome, the three veterans now witness its decline. Adding spice to this grave realization is their dwindling pensions that barely meet their everyday needs. On a sudden whim, they consider expatriating to a relatively economical country to lead a lavish life. Picked through a lucky draw, Bulgaria seems to be their dream destination, a place where they believe they can stretch their minimal pensions to afford a life of luxury.

However, the journey proves to be more than just about their physical relocation to another place. In the process, they discover a renewed narrative about their friendship, their lived and shared life experiences, their individual attitudes towards change, and more importantly, what “home” truly means to them. They realized the true essence of belonging, not to a specific place, but to the collective experiences and relationships they've fostered throughout their lives.

Di Gregorio, best known for his directorial debut, Mid-August Lunch, continues his exploration of eccentric characters in Citizens of the World. Seating himself front and center, he not only showcases his acting prowess but also demonstrates his unique ability to tell profound stories layered with humor and subtlety. This film is not a slapstick comedy, but a mindful yet entertaining display of humor evolving from natural dialogues and interactions.

From a cinematic point of view, Citizens of the World is a visual treat. The lens of Alessandro Pesci, the director of photography, delivers a beautiful blend of Roman streets and daily life, aging architecture, and the subtle nostalgia of older days. The camera work helps maintain a strong sense of place, forming an atmospheric backdrop to the narrative. Also, it offers a delightful contrast between Rome and Eastern Europe, helping the audience explore beyond their living rooms.

The score of the movie adopts a light-hearted tone too, perfectly complementing the narrative. Subtle, soft, and lively, it comes to life at the most unexpected moments, embracing the characters' deeper sentiments, nostalgic moments, and moments of revelation.

Overall, Citizens of the World is a beautifully unfamiliar tale that binds ageing, friendship, and rediscovery. It is an artistic blend of comedy and introspection. It is a story that illustrates how home is not a physical entity but an emotional concept that transgresses geographical boundaries.