Come Down Molly

Come Down Molly is a 2015 American independent film directed by Gregory Kohn. The authentic and relatable drama revolves around the character of Molly. It gives a close insight into life's daily routines and the deep-rooted emotions they hold underneath through Molly's journey. The film dives deep into the human psyche, the pains and joys of motherhood, and the attempt to reconnect with childhood friendships.

The film stars Eleonore Hendricks, famous for her roles in Soft in the Head and The Dish and the Spoon, in the lead role of Molly. She’s a new mother in her mid-thirties, trying to navigate through her new responsibilities. Molly struggles to find the balance between her desperate longing for personal freedom and her unequivocal love for her son. Hendricks delivers a powerfully emotional performance that perfectly encapsulates the ups and downs of new motherhood.

Kentucker Audley and Lindsay Burdge support Eleonore Hendricks, adding depth and texture to the story. Audley, who is known for dramatic roles in films like Christmas, Again and Sun Don't Shine, offers a nuanced performance. Lindsay Burdge, recognized for her roles in A Teacher and First Winter, provides a captivating representation of her character that adds another layer to the plot.

The story of Come Down Molly unfolds slowly as Molly looks for an escape from her monotonous everyday life with her infant son. The opportunity presents itself as a weekend with her old friends, away from any maternal responsibility. Here, she tries to reconnect with her old self before her life was encapsulated by motherhood. She's juggling between adult responsibilities and the simpler time of her life, examining the gap and transition.

What follows is a compelling exploration of motherhood, identity, freedom, and friendship set against the backdrop of the picturesque Colorado Mountains. The movie is like a breath of fresh air that introspects the entire spectrum of motherhood, from its ecstatic joys to its isolating lows. Director Gregory Kohn's depiction of Molly as a character caught in the haze of new motherhood is extremely resonating, and the emotional depth he extracts from Eleonore Hendricks is commendable.

It should also be noted that the film portrays a psychedelic experience, a crucial part of the plotline without any euphemistic portrayal. The director makes sure to maintain an impartial stand, neither promoting nor demonizing, providing a subtle view on recreational drug use without clichéd preaching, thus opening up a fresh perspective.

The visual language of the film is also noteworthy. Gregory Kohn uses immersive natural panoramas to emphasize and reflect Molly's internal state. Wide shots of the Colorado landscape work as metaphors for Molly's longing for freedom and her mental exploration. This symbolism provides a deeper layer of understanding to the audience, adding to the film's artistic richness.

At its core, the film is about self-discovery, identity, and the reality and perception of freedom. This universal theme resonates with the audience, making them reflect upon their lives and the responsibilities they are bound to.

Overall, the movie Come Down Molly is a poetic exploration of motherhood and self-discovery, blended with sober reflections on friendship and the human psyche's intricacies. With Eleonore Hendricks’s immersive performance at the center, strong supporting roles by Kentucker Audley and Lindsay Burdge, and Gregory Kohn's sensitive directing alongside a beautiful landscape, Come Down Molly is an independent film worth watching for those who love introspective and contemplative cinema.