Come On, Tarzan

Come On, Tarzan is a 1932 American western film directed by Alan James. Ken Maynard, Tarzan, and Merna Kennedy bring their prodigious acting talents to this narrative that carries a unique blend of vivid action, engaging drama, and the tranquility of nature—defining the genre of early cowboy films.

In terms of acting, Ken Maynard turns in a robust performance as the handsome, prudent, and brave cowboy, Ken Benson. There is a charm and spirited enthusiasm about him that is reminiscent of the archetypal Western hero—someone who is unafraid to stand up for justice, stands as a beacon of moral conduct, and carries a rugged individualism that strikes a chord with audiences of every generation. Notably, Maynard is also an authentic cowboy and stuntman which adds to the believability of the performance.

No discussion about Come On, Tarzan is complete without mentioning Maynard's magnificent horse, the intelligent and gallant Tarzan. With his great speed and incredible strength, Tarzan plays a significant role in the narrative, serving as not only a trusted steed but also as a confidant to Benson. The dramatic sequences involving Tarzan have a heavy touch of realism, as many were enacted by the equestrian Maynard himself. In 1932, the concept of an animal playing a central role in a film was innovative and captivating, and Tarzan the horse still captures the imagination of fans of the Western genre.

Merna Kennedy gives an elegant and compelling performance as Mary Ransom. Kennedy's Mary Ransom is not a typical damsel in distress, but a strong, independent, and intelligent woman who equally contributes to the narrative and serves as a fantastic foil to Ken, demonstrating a progressive approach to female characters in the films of this era. There is an undeniable chemistry between Ken Maynard and Merna Kennedy that pistol whips through the silver screen.

The story revolves around Ken Benson's mission to unravel a plot involving an unscrupulous cattle syndicate trying to take over the territory and the local ranches. The effect of this cattle syndicate’s operations on the local ranchers' livelihood forms the central conflict.

Amidst these challenges, a romantic subplot is also skillfully woven in. As is evident in many western films, Come On, Tarzan also depicts a love story that is subtly introduced as the cowboy and his leading lady warm towards each other, providing the perfect relief amid the action. Alan James’ direction demonstrates his keen understanding of the pastoral dreams of the American west and balances the elements of excitement and romance expertly.

Cinematically, Come On, Tarzan involves viewers with its sweeping panoramas and intense close-ups, bringing the audience close to the undulating action unfold on screen. Alan James takes full advantage of the geographical setting, utilizing the natural landscapes to set the scene for some of the most thrilling moments in the film. The intense gunfights, horse chases, and rural America's tranquil beauty create a captivating milieu, contributing heavily to the film's charm.

Musical elements play a notable role in the film as well. The rustling sound of the wind, the clopping of the horses’ hooves, the loaded silence before a confrontational scene - all contribute to creating an immersive and compelling soundscape that aligns perfectly with the film's visuals. When watched, the film evokes a sense of auditory nostalgia, taking audiences back to the era when natural sounds formed a considerable part of a movie's score.

Traditional in its take on the wild west but progressive in its storytelling style, Come On, Tarzan will resonate strongly with fans of the genre. It’s engrossing, has a charismatic lead pair, breath-taking action sequences, and a gripping plot - a film that truly embodies the spirit of the early American cowboy films.