Comet

Comet is a truly distinct 2014 indie film starring Emmy Rossum and Justin Long in a tale both whimsical and deeply profound. Directed and written by Sam Esmail, the dialogue-heavy movie is an interesting exploration of love, connections, and existentialism. The movie strays from the traditional narrative structure, pushing boundaries to provide viewers with a unique storytelling experience.

Justin Long plays the character of Dell, a cynical, quick-witted individual with a unique perspective on life. Emmy Rossum portrays Kimberly, an unaffected, lovely, and spontaneous woman who is charmed by Dell's unconventional worldview. Their chemistry on screen is palpable, setting the stage for an in-depth exploration of their fascinating relationship.

Comet unfolds through a sequence of non-linear events, blending fantasy and reality while giving us a glimpse into the key moments of Dell and Kimberly's six-year relationship. From their accidental meet-cute during a meteor shower in Hollywood to their eventual heartbreaking conversation in a Parisian hotel room, the movie covers both the radiant highs and morose lows of the couple's journey together. The film operates on a disjointed timeline, focusing only on pivotal moments in their relationship that help shed light on their characters and their dynamic as a couple.

Flashbacks and flashforwards are frequent, sometimes causing confusion about the exact timeline of the relationship. This, however, is intentionally invoked by Esmail to fully immerse the audience in the chaotic and convoluted nature of love and relationships. It's this haunting ebb and flow of the story that makes Comet such a distinct viewing experience. The film’s unique narrative structure lends itself exceptionally well to the overall thematic depth of the story, adding an extra layer of complexity to an already profound plot.

Dell's character is haunted by a restless cynicism and fear of the ordinary life, making his relationship with the free-spirited Kimberly a constantly engrossing emotional rollercoaster. His existential musings add a layer of depth to the movie, giving it a philosophical tinge. On the other hand, Kimberly is depicted as a beacon of light in Dell’s bleak world, her optimism acting as a perfect counterbalance to Dell's pessimism.

The cinematography by Eric Koretz is beautifully dreamlike and intentionally disorienting. The camera work is often just as unsettled as Dell and Kimberly's relationship, which helps capture the story's raw, chaotic, and fragmented nature. It truly aids elements of the surreal to seep into the story's fabric, making Comet more than just a conventional romance drama. Locations are exquisite and varied, ranging from Paris to a snowy train ride, and the music by Daniel Hart is hauntingly beautiful and perfectly complements the story's shifting moods.

Justin Long delivers an impressive performance as the insecure and introspective Dell, bringing the character’s anxieties and witticisms to life effectively. Emmy Rossum also delivers an equally captivating performance in her role as Kimberly, her charming screen presence wonderfully portraying her character's strength and vulnerability. Their performances truly breathe life into their complex characters.

Comet also features Kayla Servi in a cameo role but the movie primarily revolves around Dell and Kimberly's relationship. The emotional complexity of their relationship becomes an exploration of the nature of love — how it forms, develops, and sometimes ends. Comet invites its audiences to ponder, making them active participants in this refreshing narrative experience.

In conclusion, Comet is not your typical romantic comedy or drama. It's an abstract, non-linear exploration of relationships and the human condition that challenges traditional storytelling norms. With its existential undertones, profound dialogue, and unforgettable performances, it's a movie that leaves a lasting impact. Perfect for viewers in search of a deeper, more thoughtful cinematic experience, Comet is an intriguing film that transcends genres, resembling, perhaps, the unpredictable trajectory of its namesake.