Dear God No!

Dear God No! is a visually enthralling and visceral exploitation film from 2011 that combines elements of classic B-movie horror, riveting dramatics, and exhilarating motorbike action. The film's title resonates a sense of shock, horror, and exhilaration - emotions that very fittingly resonate through this intense rollercoaster of a movie.

In a rollercoaster ride from start to finish, starring Jett Bryant, Madeline Brumby, and Paul McComiskey, Dear God No! takes viewers on a cinematic journey that is anything but predictable. Directed and written by James Bickert, the film delves into the world of biker culture, brutal violence, and supernatural horror in ways that push the boundaries of conventional storytelling.

The drama begins with the story of an outlaw biker gang known as 'The Impalers', headed by the ruthless Jett Bryant. Known for their violent rampages, the gang engages in the bikers' code of life studded with booze, narcotics, and unfathomable violence - creating a thunderous storm of boisterous characters and reckless action.

But the lawless bikers narrative swiftly takes a compulsive twist. The gang lands at the doorsteps of a secluded cabin in the mountains inhabited by a dubious scientist and his obedient family - played with finesse by Madeline Brumby and Paul McComiskey. As they seek refuge in the cabin, the film spirals into a cascade of grotesque revelations and altercations, blending primitive instincts with a unique brand of horror.

Shot in Super 16 mm, Dear God No! has been meticulously crafted to have a vintage 70s aesthetic. The film's grainy texture and subdued tonality pay homage to exploitation films of that era, creating a distinctly retro-tinged, almost nostalgic, atmosphere. This allows for a cinematic experience that feels like a throwback to classic B-movie horror flicks, ensuring viewers are treated to a little more than just a dread-inspired plotline.

This inventive combination of brutality and horror is not for the faint-hearted though; Dear God No! is a feast of gratuitous violence, gore, and nudity. It is brimming with visceral and explicit scenes that push boundaries, so it's certainly not aimed at people who prefer a more subdued or traditional approach to horror cinema.

James Bickert's screenplay is also worth noting. It is filled with unpredictable twists, towards which the audience is led with a blend of suspense and morbid curiosity. The dialogue is hard-hitting and character-driven, embodying the raw and uncompromising nature of the film's protagonists, making the characters come alive with their disturbing yet captivating personas.

One of the film's most recognizable advantages is its cast. Jett Bryant flawlessly embodies the persona of a ruthless leader, bringing a ruthless charisma to his character that leaves audiences both appalled and intrigued. Madeline Brumby's performance is commendably distinct, shifting effortlessly between the subtle and the extraordinary, portraying a woman driven by fear and desperation. And Paul McComiskey's relentless energy and unrestrained characterization turns his performance into a spectacle in its own right.

Dear God No! leans heavily into the unapologetically brutal essence of exploitation cinema. Engrossing performances of the cast, backed by a phenomenal screenplay, all captured with the unique visual flair, make Dear God No! an unforgettable, full-throttle cinematic experience. Although it is a niche work that might not appeal to all, horror enthusiasts and fans of exploitation cinema can expect a wild and immersive journey with bold storytelling that fearlessly explores the dark and uncharted corners of human nature.

To sum it up, Dear God No! provides a relentless cavalcade of graphic aggression, deranged characters, and extreme narrative elements, spritzed with dark humor and a heavy load of adrenaline-pumping action. For those who appreciate the unconventional and are prepared to explore the extremes of the exploitation genre, this movie rides full throttle into chaos and horror, promising a filmic experience that's hard to forget.