Dede

Set against the rustic beauty of Georgia's remote Svaneti region, nestled amidst the jagged peaks of the Caucasus Mountains, the 2017 Georgian movie, "Dede", explores traditional customs and generational conflicts through a tender yet tragic love story. It is an emotionally stirring narrative that draws heavily from the region's age-old traditions and the societal dilemmas that arise from adhering strictly to these customs in contemporary society.

Directed by Mariam Khatchvani and starring George Babluani, Girshel Chelidze, and Mose Khachvani, the film pulls audiences into the intriguing and seldom seen communal life of the Svaneti people. The narrative is set in the early 1990s, a period mired with the political chaos of Georgian independence, yet the conflicts that it traces are primarily rooted in the timeless, tradition-bound customs of the Svaneti people rather than the intense political background.

"Dede" focuses on a young woman, Dina, played by Natia Vibliani, who is forced by her family to marry David, played by Girshel Chelidze, a man she does not love. Meanwhile, Dina is in love with Gegi, portrayed by George Babluani, who had saved her from an avalanche. Unfortunately, Gegi had to leave the village for the war leaving Dina behind. Their love story rekindles upon his return, triggering the main plot of the film.

The bittersweet romance at the core of the narrative delves into themes of love, obligation, tradition, and the struggle for freedom within a patriarchal society. The film depicts a community law 'ka' culture where family honor is placed above individual desires, often leading to violent repercussions. Dina and Gegi’s love story thus serves as a critique of these traditional norms, unfolding a dreamy and devastating narrative on the mountainous backdrop.

Exceptionally stunning cinematography is a standout feature of "Dede". Making use of the breathtaking Svaneti scenery, each shot is picturesque, offering viewers a portal into the rugged Georgian highlands with its ancient tower houses, roaring rivers, and rickety bridges. The natural landscapes contrast strikingly with the oppressive societal constraints captured in the narrative, amplifying the central themes of the movie.

Performances by the cast infuse authentic depth into the narrative. George Babluani excels as Gegi, convincingly portraying a man torn between his love for Dina and the binding ropes of traditional customs. Girshel Chelidze, as the unwilling husband David, delivers a powerfully restrained performance, adding another layer of complexity to the interweaving themes. The film, however, firmly belongs to Natia Vibliani. Her portrayal of Dina is a delicate balance of fragility and resilience, making audiences feel her longing for freedom and her fight against the oppressive customs.

The director, Mariam Khatchvani, draws on her upbringing in Svaneti to showcase nuanced elements of the culture in a deeply personal and raw manner. The strength of the film lies in the subtleties of Svaneti life that the director successfully amplifies, making the narrative socio-culturally anchored and relatable. The tragic culmination of the narrative imparts a powerful, enduring message about the dire consequences of a culture bound by regressive traditions.

An ever-present haunting score, composed by Tako Jordania and MAZO Orchestra, elevates the overall experience of the film. The soundtrack seamlessly blends with the visuals, enhancing the emotional impact of each scene and lending an ethereal quality to the film.

"Dede" premiered at the Karlovy Vary International Film Festival, where it won the East of the West Award and has been shown at other film festivals around the world, garnering positive reviews for its compelling storytelling, striking visuals, and convincing performances. The film offers a unique cinematic experience, drawing viewers into a world where love and freedom struggle against the shackles of tradition.

In conclusion, "Dede" is more than just a romantic narrative; it’s an exploration of cultural identity and personal sovereignty. The rigid customs displayed in the movie may be particular to the Svaneti region, but its themes of love, tradition, freedom, and the consequences of oppressive societal norms echo universally.