Deep End

Deep End is a British-German drama film that was released in 1970. Directed by Poland-born director Jerzy Skolimowski, the film brings together a talented cast that includes British actress Jane Asher, John Moulder-Brown, and Austrian actor Karl Michael Vogler.

The narrative of Deep End revolves around the journey and experiences of Mike (played by John Moulder-Brown). He is a fifteen-year-old schoolboy in London who lands a job at a local public bathhouse as an attendant. The bathhouse, which serves as the film's principal setting, is a world in its own right; inhabited by a host of eccentric characters –from flirty clientele to quirky co-workers. It forms an environment that is both exciting and confounding for young Mike, as he navigates through the adult world for the first time.

Among his colleagues is Susan (Jane Asher), an attractive twenty-something woman who, like Mike, works as a swimming pool attendant. Mike grows increasingly infatuated with Susan, despite her being engaged to her fiancé. As the narrative unfolds, the audience witnesses the burgeoning yet potentially destructive obsession that Mike develops for Susan. This infatuation with his co-worker becomes the central theme of the story, testing Mike's innocence and maturity.

Jane Asher gives a chilling performance as Susan. Her character consistently blurs the line between the innocent flirt and the calculated seductress, abundantly contributing to the intensity of the narrative. John Moulder-Brown's portrayal as the naïve and infatuated Mike is also commendable. This dynamic is made more interesting by the presence of Carl (Karl Michael Vogler), Susan’s wealthy fiancé, adding another layer of complexity to the plot.

The film clearly captures the confusion and tension of adolescence life. The dichotomy between adult life’s harsh realities and youthful innocence is depicted in an evocative, engaging manner.

Director Jerzy Skolimowski makes masterful use of the atmospheric setting to highlight the sexual tension and emotional confusion that drives the film. His knack for turning the seemingly mundane into a backdrop for an enthralling drama is evident throughout the film. The vibrant colour palette of Deep End brings the bathhouse and its motley crew of characters to life, immersing the viewer in Mike's world. The use of symbolic colours - notably green and red - contributes to the visual storytelling, speaking of passion, envy, and danger.

Deep End’s screenplay, written by Jerzy Skolimowski and Jerzy Gruza, is sharp and engaging, with several moments of dry British humour injected. Complementing the cinematic storytelling is Can and Cat Stevens' soundtrack that appropriately reflects the tumultuous emotional ride of this young society lad.

Emphasizing the struggles of adolescent life, the film delves deeply into the themes of lust, obsession, and the loss of innocence. Though its primary narrative spins around Mike's infatuation, the movie in its entirety paints an image of the socially changing time in 1970’s London staging scenes which vividly show the intermingling of classes and how society at large is struggling to adapt to these new changes much like Mike in his youthful phase.

The movie is an insightful exploration of burgeoning sexuality and obsession in youth, offering a unique and fresh take on the usual coming-of-age trope. It employs inventive visual storytelling, compelling characters, and sharp, witty dialogue, making it a film that continues to resonate even half a century after its initial release.

Though it harbours some tense moments, Deep End manages to be thought-provoking and memorable, providing a striking critique of adolescence and social relations framed within a seemingly ordinary job at a local public bathhouse. A cult classic in its own right, it is a film that not only entertains but also sparks a broader discussion on the themes it boldly speaks about.

In conclusion, Deep End isn't merely a coming-of-age film, rather, it ventures into deeper waters, exploring mature themes through the lens of a young, infatuated boy. Its poignant portrayal of adolescent desire and obsession, coupled with great performances and vivid storytelling, echo Skolimowski's mastery in filmmaking.