Devil Hunter

Devil Hunter, released in 1980, is a European exploitation horror film that navigates the unsettling world of tribal rituals, cannibalism, and chilling suspense. The movie, directed by prolific director Jesús Franco, stars Ursula Buchfellner, Al Cliver, and Antonio Mayans in captivating roles that gradually unfurl the unexpected horrors lurking in the depths of the jungle.

The film begins with the abduction of an actress, Laura Crawford, portrayed by the former Playboy Playmate Ursula Buchfellner. Her capturing is orchestrated by a reckless gang seeking a hefty ransom for her release, taking her to an undisclosed location in the middle of a tropical rainforest. It is up to Vietnam veteran and erstwhile mercenary, Peter Weston (Al Cliver) to come to her rescue, aided by an unassuming local guide (Antonio Mayans). While they are initially focused on the task at hand, they soon realize they are against more than just human adversaries.

The rainforest where Laura is held captive is not an ordinary spot. It is home to an indigenous tribe who practices cannibalism and regressive ceremonial rituals. The locals revere a grotesque yogi-god called the Devil Monster, who has an insatiable hunger for human flesh. The tribe believes in appeasing this demon through human sacrifices to remain safe from its wrath. Now, in the midst of saving Laura, our duo protagonists find themselves embroiled in a struggle beyond their comprehension, pitting not only against her kidnappers but a supernatural force lurking in the shadows of the jungle.

In its runtime, Devil Hunter unwinds a complex narrative encompassing a combination of jungle adventure, suspense thriller, and horrific supernatural elements. The film features a striking blend of multiple film genres and effectively draws upon exploitation cinema elements – from the suspenseful chase sequences through the dense jungle to the bone-chilling horror promulgated by the demonic entity.

The violence in the film is undeniable, but it is not needless or gratuitous. Instead, its visceral nature serves as an effective storytelling tool, staying true to the filmmaker’s intentions of conjuring a stomach-turning reaction in audiences while propelling the narrative forward.

The performances are commendable, with Ursula Buchfellner offering an image of the damsel in distress trapped in an alien environment, while Al Cliver projects the image of a standard action hero brilliantly. Antonio Mayans delivers a powerful performance as the local guide, playing his role with a conviction that showcases the precariousness of their circumstance in the inhospitable jungle. His nuanced portrayal heightens the suspense and apprehensiveness of the piece.

Visually, Devil Hunter doesn't disappoint. The film's cinematographic choices utilize the expansive tropical settings to create an atmospheric backdrop that evolves with the narrative. The deep, lush green forests interspersed with primitive tribal entities and the enigma of the Devil Monster establishes a setting that is gorgeous and intimidating in equal measures. The director Jesús Franco and his crew do a fantastic job of bringing a unique cinematographic vision to life.

Despite the arguable imperfections in its plotline, Devil Hunter exudes an engaging sense of absurdity and adventure, akin to the grindhouse cinema of the 1970s and 80s. The fervent endeavor to bring a script as audacious as this to life coupled with the distinctive artistic style evident through the film imbues Devil Hunter with a memorable and enduring appeal. With a deft handling of the elements of suspense, supernatural horror, and riveting action, Devil Hunter is worth a watch for any enthusiast of 1980s exploitation cinema.

In summary, Devil Hunter is a fascinating and unconventional take on the horror-adventure genre, transporting the audience into the heart of gruesome and thrilling events set in the ominous beauty of a rainforest. Its seamless blending of various cinematic narratives, coupled with impressive performances and gorgeous setting have set it apart from many films of its time, nesting itself as a unique entry in Jesús Franco's diverse filmography.