Diksha

Diksha, directed by Arun Kaul in 1991, is a reflective drama that unfolds numerous dimensions of societal norms, caste-based prejudices, and spiritual philosophy in India. Set in a guru-disciple tradition, the movie brilliantly captures the essence of the orthodox Brahminical society. Prominent actors like Sulabha Arya, Vijay Kashyap, and Anubhav Mishra drive the narrative of the film with their remarkable performances.

The story is set against the backdrop of a traditional Sanskrit Gurukul (an ancient education system in India where students reside with the teacher), where the revered guru, played by Vijay Kashyap, lives by the principles of simplicity, discipline, profound wisdom and spiritual learnings. Our protagonist, played by Anubhav Mishra, arrives at this place as a young boy seeking knowledge of the scriptures under the tutelage of the Guru, who convincingly portrays the character of a learned and humble person, who abide by the rigid caste-based societal edicts.

The pace of the movie takes its own course, mimicking the life within the Gurukul – unhurried, contemplative, and deeply spiritual. Echoing the rhythm of this lifestyle, the central theme of the movie isn't one associated with sudden plot twists or bursts of action. Instead, it's a slow, meditative exploration of a student's life at the Gurukul, the deep rooted caste-system in the Indian society, and the consequential dilemmas the devout guru faces when those societal norms are challenged.

Sulabha Arya plays the role of a simple yet quirky elderly woman who is an occasional visitor of the Gurukul. Though an outcast for the society faded by age and time, she brings a flavor of humor and realism to the otherwise monastic environment of the Gurukul as she interacts with the Guru and the relatively young student as the movie unfolds.

Challenging the societal prejudices, the film embarks upon an array of sacred and profane knowledge, tracing the journey from innocence to the understanding of the mediocrity of societal norms, through the characters' constant struggles with faith and dilemma. The film is not just about the reformation of society based on a true understanding of religious scriptures, it also depicts a student’s journey from ignorance to awareness, and ultimately, wisdom.

The screenplay regularly features strong dialogues that question blind faith and perpetuated myths in the name of religion, marking the revolutionary essence of the film. The intense portrayal of these notions provides an eye-opening perspective on several societal misconceptions.

Beautifully captured in frames, the film is a visual treat for lovers of art cinema. The technical aspects of the movie, like camera movements, lighting, and choice of location, reflect the incredible craftsmanship of director Arun Kaul and his team. Every frame is planned meticulously to add to the authenticity of the setting and holds a captivating aura that only intensifies the philosophical dialogues and narrative.

While the movie deeply explores the realms of spirituality, philosophy, discrimination, and societal norms, it does not lack in the portrayal of human emotions of love, respect, disappointment, and liberation. It's not just a comment on the caste-based discrimination, but also a subtle exploration of human nature, complexities, spiritual dilemmas, and contradictions that one experiences throughout life.

The background score and music of the film also deserve special mention. Every strum of the traditional Indian instrument, reminiscent of the ancient era, resonates with the theme, adding to the aura and enhancing the artistic appeal of the movie.

In a nutshell, Diksha is a profound, thought-provoking movie that attempts to showcase contemporary issues with an introspective approach. Stepping away from the glamour and flamboyance of mainstream cinema, it offers a cinematic experience that takes spectators on a philosophical and socio-cultural journey through the hearts and minds of the movie's meticulously created characters. It is a must-watch for anyone interested in exploring the roots of Indian society, its taboos, and the call for reformations through the mirror of vintage Indian cinema.