Disconnected

Disconnected delves into the complex world of modern technology and its effects on people’s lives, a central narrative that mirrors contemporary society's relationship with screens, gadgets, and virtual reality. Directed by Anastazja Davis and scripted by Jamie Haynes, this drama-thriller from 2017 will leave audiences introspective and perhaps a tad apprehensive about the inescapable web of technology and the internet.

The star-studded cast boasts Bridger Zadina, Darya Hope, and the ever-talented Olivia d'Abo. In particular, Zadina’s performance stands out as he masterfully portrays the character Figg, a 17-year-old high school senior laden with adolescent turmoil compounded by the loss of his parents. Zadina creates an emphatic resonance with his viewers as his character navigates the struggle of misplaced guilt and the search for his place in the world.

The story unfolds in suburban America, a setting that bolsters the authenticity of the characters' journey among the commonplace realities of the digital age. Figg’s predicament centers around the morbid fascination he develops with his phone and technology more broadly, following the tragic death of his parents. Using his phone as a refuge, he alienates those around him. This symbolic detachment made possible by what he perceives as his only connection to the world forms a vicious cycle, creating a mirror against which our modern habits of phone and internet use are reflected.

Contrary to Figg’s secluded life, his younger brother, Kip, portrayed by Darya Hope, is outgoing and charismatic. His character offers a potent contrast to Figg, thriving on physical human interaction, showing the audience the stark juxtaposition of a life spent plugged in and one spent offline. Kip, while not completely insulated from the effects of technology, provides a very distinct perspective on how people can relate differently to the same environment and circumstances.

Olivia d'Abo’s character, their guardian aunt Miranda, brings a compelling multi-generational dynamic to the plot. Her character grapples with the task of trying to form genuine connections with her brooding older nephew and enthusiastic younger one, all the while dealing with her insecurities. Her perplexity, challenges, and eventual transformation reveal the intricate dilemmas faced by parents and guardians in a digitized world where smartphones and computers often become the entities raising their children.

An essential theme throughout Disconnected is its commentary on modern communication and the rapid and somewhat invasive proliferation of technology. It tackles the paradox that even though we are more connected than ever before thanks to the internet, we have never been more separate. The movie also explores the inverse relationship between technological advancement and the dehumanization they may bring. This theme depicted in the film raises critical questions about our social structures and our understanding of relationships.

The character-driven narrative, complimented by poignant shots by cinematographer Joseph Hennigan, makes for a compelling cinematic aesthetic. His vibrant and emotive visuals lend a distinct feel to the film, capturing the raw emotions of the characters and enhancing the overall viewing experience.

The score stylized by Billy Mallery is a stark accompaniment to the nihilistic undertone of Disconnected, enriching the narrative with its auditory symphony that embellishes the textural richness of the film. Pairing beautifully with the visual journey, Mallery's musical landscape further deepens the impact, resulting in a powerful sensorial amalgamation.

In Disconnected, Davis offers an intriguing look into a world where human interrelationships might become complicated, and at times usurped, by a blue screen. Without preachy moralizing, the movie presents a sincere take on the ever-encompassing reach of technology into every aspect of our lives. It prompts the audience to examine their relationship with their screens, unraveling the sheer magnitude of our technologically entwined identities.

Overall, Disconnected is an intimate expose on the price tag that might be attached to excessive screen time, drawing audiences into a narrative that is as realistic as it is pessimistic. It evokes feelings of compassion for our young generation, and indeed, all of humanity, as we grapple with the paradox of becoming increasingly 'disconnected' in an age of unprecedented technological connection.