Everything, Everything

Everything, Everything is a 2017 American romantic drama film directed by Stella Meghie and adapted from the 2015 young adult novel of the same name by Nicola Yoon. The movie stars talented young actors Amandla Stenberg and Nick Robinson, with a supporting cast that includes Anika Noni Rose.

The film dives into the life of 18-year-old Maddy Whittier, impeccably played by Amandla Stenberg. Maddy suffers from a rare and quite unusual disease known as severe combined immunodeficiency, or SCID. Due to her illness, she has been confined within the sterilized, strictly controlledenvironment of her house since infancy. Her world is limited to her doting physician mother, Pauline Whittier (Anika Noni Rose), and her devoted nurse, Carla(Ana de la Reguera), who are her only links to the outside world. Her entire life revolves around reading books, studying, and catching a glimpse of the world through her window or internet.

The narrative takes a turn when a new family moves into the neighborhood. Among them is teenage boy, Olly Bright (Nick Robinson),who immediately captures Maddy's attention. The two make contact through text messages and written notes, and despite the glass walls and distance, they form a profound connection.

Olly's life contrasts starkly to Maddy's isolated existence. He deals with his own familial struggles, living with an abusive father and a troubled older sister. Nevertheless, Olly discovers solace and connection with Maddy. Despite the physical barriers separating them, their rapport blossoms and develops,leading to a stage where they find themselves increasing yearning to be together, despite the risks involved.

Anika Noni Rose as Maddy's widowed mother, Pauline, renders a complex character mired in her own anxieties. The loss of her husband and son has made her over-protective of her only remaining child. This maternal anxiety adds another layer of emotion and complexity to the story, reflecting Pauline's deep-seated fears and love for her daughter.

The movie convincingly explores young love, the thrill of experiencing the world outside your comfort zone, and the risks people are willing to take when compelled by love. As two teenagers on the brink of adulthood, Maddy and Olly must face very adult-like situations, and the film delicately balances the sweetness of young romance with the weighty circumstances that this particular relationship entails.

Everything, Everything also touches upon themes like finding one's identity and making difficult choices. Maddy's character is a tribute to the human spirit, resilient and unwilling to be shackled by disease. Despite her limitations, she possesses a certain curiosity and yearning for the world outside that is true to any teenager. This film is a coming-of-age story for Maddy, who is determined to break free from her bubble, both metaphorically and literally to experience life to its fullest with Olly, despite the potential dangers.

Director Stella Meghie masterfully brings to life Nicola Yoon's original story, juxtaposing the visually stunning 'sanitized' environment of Maddy's home with the vibrant and unpredictable outside world, subtly hinting at the stark differences between the two. The film’s soundtrack beautifully complements the storyline, enhancing the emotional landscape of the narrative.

Amandla Stenberg and Nick Robinson deliver performances that resonate with authenticity and ease, their chemistry palpable on-screen. The texture of their characters' relationship is sensitively explored, avoiding the trap of melodramatic excess often associated with teenage romance stories.

In summary, Everything, Everything is more than a simple love story. It's a touching narrative of resilience, eagerness to explore, and the power of love, even in the face of seemingly insurmountable obstacles. Combining believable performances with visually engaging cinematography, it is a captivating watch, offering a heartening blend of romance, drama, and hope.