Fairy Tales

Fairy Tales is a whimsical adult comedy film directed by Charles Band, first released in 1978. The movie revolves around the zany and bewitching escapades of the young Prince, portrayed by Don Sparks. He embarks on a charmingly wild and cheeky adventure, set in the memorable backdrop of an enchanted kingdom and filled with distinctive twists on classic fairy tales.

This movie's script falls under the banner of the ribald and risqué, full of slapstick humor and bawdy laughs, appealing to those audiences who enjoy a unique blend of comedy, fantasy, and quirky adult humor. Although it may not be to everyone's taste, those who appreciate saucy spoofs on familiar storybook tales will find a lot to enjoy here in Fairy Tales.

In the film, it is the day before Prince's 21st birthday and according to tradition, he is expected to choose a wife. However, the quirky Prince doesn't just want any bride, but one that fits his particular preference—she must be able to sing him the titular fairy tales in bed. This sets up the amusing premise of the movie, which leads to a series of naughty adventures and hilarious mishaps as the Prince encounters a roster of strange and amusing characters in a magical kingdom brimming with adult fantasy.

Don Sparks does a commendable job in the lead role of the Prince, effortlessly delivering the comedic punches, while charming the audience with his quirking antics. He instantly clicks his onscreen charm with his great comic timing and amusing facial expressions. The rest of the cast showcases a variety of talents and dynamic performances that keep the story lively while supporting a wild mix of ridiculous storybook caricatures.

Adding to the whimsical charm, the movie stars Sy Richardson, known for his acting versatility, and renowned comedian Irwin Corey. Richardson plays the role of Sirus, the boon companion of the Prince, who accompanies him in the outlandish onslaught of the adult comedy tales. Irwin Corey, on the other hand, adds a flavor of his comedic brilliance portraying Otto, the illusionist shoemaker.

Another unforgettable highlight of the movie is Mother Nature, represented as an attractive and seductive enchantress, who becomes a pivotal plot element. Her interactions with the Prince add a light-hearted and cheeky flavor to the narrative.

The movie is charmingly embellished with a host of singable original songs, daft musical interludes, puns, double entendre, and good-humored gags. The script is lively, both in dialogue and action and gives the plot a whimsical yet absurd aesthetic.

The visuals, in particular, portray a delightful kaleidoscope of enchanting landscapes, castles, and interiors which help to transport the viewers into a world of silly, humor-infused fantasy. The set designs reveal a surprisingly precise attention to detail that contributes much to the ambiance of the film. All these visual elements, combined with an array of humorous performances, contribute to giving the film a unique and idiosyncratic identity.

Director Charles Band, known for other eccentric fantasy properties, excelled in merging the adult humor with the fairy tale tropes. Quite possibly his risqué-est creation, this attraction is not meant for the prudish or the faint-hearted. However, those who embrace its naughty charm will be rewarded with some smart laughs, and a lively, audacious romp that turns beloved fairy tales on their head.

Open to a variety of interpretations, Fairy Tales speaks to the audience on multiple levels. It illustrates the timeless draw of storytelling in its myriad forms, and how these narratives can encompass the broad spectrum of human nature and desire.

Despite its adult themes, Fairy Tales makes no apologies for its bawdy and audacious humor. In contrast, it embraces its unique brand of outrageousness with a delightful and unapologetic celebration of the unconventional. It is bestowed with an undeniable charm and charisma that is contagious in its audacity, making it an unforgettable ride into the world of mature fairy tales.

In conclusion, Fairy Tales from 1978 is a ripe blend of comedy, fantasy, and risqué humor tailored for an adult audience with a taste for the eccentric and bizarre, and punctuated with memorable performances, catchy songs, and chucklesome punch-lines. It’s a guilty pleasure that adults can secretly smile about, a jovially outrageous parody that dares to give viewers a unique take on the world of fairy tales.