Feed the Devil

The 2015 horror film, Feed the Devil, is a gripping and frightening suspense saga that combines gritty human emotional drama with supernatural horror. Directed by Max Perrier and written by Perrier and Matthew Altman, the movie features an ensemble cast, including Jared Cohn, Ardis Barrow, and Victoria Curtain.

The central character of the story is Marcus, a complex individual played convincingly by Jared Cohn, who is desperate to land a large fortune to secure a better future. Ably complementing him is Ardis Barrow portraying the role of Lydia, Marcus's sister, tormented by her past but striving persistently for a better life. Their characters' intentions fuel the narrative and add to the ominous atmosphere that looms throughout the film.

Feed the Devil commences with a clichéd but highly effective premise - a "get-rich-quick" scheme in the wilderness of Alaska. The allure of an illicit marijuana crop propels Marcus and Lydia, along with an accomplice Piper (Victoria Curtain), into an adventure in the harsh, icy, and secluded landscapes. However, their materialistic endeavor quickly morphs into a nightmarish struggle for survival when they cross paths with an ancient evil spirit in the form of an indigenous legend, the Wendigo.

The movie throws light on the consequences of reckless ambition and human greed, forging an eerie connection between the characters' desperate pursuit of money and the ominous fate they encounter. The movie stands out due to its approach to horror, as Feed The Devil transitions from pure human drama in the initial parts to a psychological terror tale towards the end.

The icy landscapes of Alaska serve as a perfect backdrop to the chilling events of the movie. While seeking to avoid clichéd gore and terror tropes, the film employs an abundance of atmospheric horror, creating suspense and a lingering sense of dread that escalates as the plot progresses. This is not a horror film where scares jump out from every corner; instead, an impending sense of doom pervades from start to finish.

Director Max Perrier's stellar direction shines through, presenting the gruesome, unnerving plot in an engaging, artful manner, and ensuring not just shock-value horror but also a lingering discomfort that stays with the viewer long after the film concludes. The performances, particularly from Jared Cohn and Ardis Barrow, provide ample depth to their characters, adding to the overall level of suspense.

The narrative is flavored with elements of cultural folklore, juxtaposed with the stark reality of the characters’ struggles, which makes the ghastly tale more relatable and poignant. This approach also subtly addresses the clash between traditional indigenous knowledge and modern ambition, bringing an additional layer of complexity to the film's narrative.

Feed the Devil is further enhanced by its impressive cinematography, portraying the desolate Alaskan wilderness as both breathtakingly beautiful and deeply terrifying. The camera work plays a vital role in building tension, with lingering shots of the icy wild enhancing the claustrophobic dread that permeates the film. Its haunting score adds to the chilling atmosphere, resulting in a deeply unsettling viewing experience that conducts a symphony of mounting horror against an intertwined discord of human drama.

It's important to note that despite its raw and chilling horror narrative, the film isn't solely a horror movie; it stands as a depiction of the struggle between human ambition, greed, and the unforgiving laws of nature, embodied here in the form of an ancient curse. The performances, particularly from Jared Cohn and Ardis Barrow, provide ample depth to their characters, adding to the overall level of suspense.

In conclusion, Feed the Devil offers much more than straightforward horror. It delves into the dark areas of human ambition and greed while providing viewers with a nail-biting, disturbing horror experience. Embark on the journey of Feed the Devil for a deep dive into a chilling and captivating story that will haunt you long after the film concludes.