First a Girl

First a Girl is a delightful 1935 British musical comedy film directed by Victor Saville, featuring the sensational talents of Jessie Matthews, Sonnie Hale, and Anna Lee. This black-and-white classic, loosely based on a German film, Viktor und Viktoria, provides an interesting flip on the traditional gender roles with a blend of humor, romance, and entertaining musical numbers.

The movie's plot revolves around the charming Elizabeth, portrayed by Jessie Matthews, an aspiring but struggling London actress. She encounters a chance opportunity to fill in for the role of a female impersonator, whose usual performing partner is indisposed. Propelled by a desperate need for work and showcasing her sparkling talent, she takes on the job and becomes an overnight sensation.

Meanwhile, Sonnie Hale plays the role of Victor, who acts as Elizabeth's manager and protector in the wake of her sudden fame. Victor remains unaware of Elizabeth's true feelings for him, believing that she continues the charade offstage as well. Throughout the film, the duo traverse through a series of engaging romantic misunderstandings, as the line between Elizabeth's impersonated identity and her real one becomes increasingly blurred.

To further complicate the plot, they meet the effervescent Princess, played by Anna Lee, who falls for Elizabeth, who at that time is still impersonating a man posing as a woman. Their comical encounters lay down the bedrock for an intriguing love triangle, which teases the audience right up till the end.

The film expertly transcends the time in which it was made, easily appealing to a modern viewership with its themes of gender fluidity, authenticity, and the all-too-familiar search for love and success. The film's nuanced look at sexual and gender politics, while maintaining the light tone and pace a well-crafted screwball comedy necessitates, gives it an appealing freshness and relevance even today.

Jessie Matthews shines in her versatile dual role, demonstrating her profound comedic ability, pathos, and singing and dancing talents. She presents a dazzling array of iconic musical numbers, which have since become classics in the British film industry. The film's captivating musical score only adds to its charm, bringing to life each scene, while also serving as musical intermissions between all the comedic hijinks and poignant moments.

Anna Lee delivers a strong performance as the Princess, navigating between self-assured poise and bewilderment towards her feelings for Elizabeth. Her character provides the necessary balance between comical farce and heartwarming romance. Moreover, her confusion spirals into a further comedic twist when her attraction to Elizabeth falters between seeing her as a man, a woman, or a man impersonating a woman.

Sonnie Hale’s portrayal of the good-natured, slightly bewildered manager is a testament to his acting fortitude. His character, despite his flaws, becomes an endearing figure because of the charismatic charm he brings to the role. His selfless desire to protect Elizabeth only adds to the emotional depth of the film.

Overall, First a Girl strikes a perfect balance of humor and heart, never straying too far into either territory. Victor Saville’s direction ensures that the film carefully navigates its way through the complexities of mistaken identities, romantic entanglements, and personal revelations, without losing its comedic timing or charm.

First a Girl is a must-watch for any ardent fan of musical comedy. It serves as a remarkable entry point into the British musical genre of the 1930s and excels beyond its period-specific quirks to deliver a universally appealing and relatable story. Its fusion of love, laughter, glamour, and music creates a magical film experience that continues to resonate with audiences of all generations.