Francis of Assisi

Francis of Assisi, directed by Michael Curtiz in 1961, is a historical drama movie which brings forth the life story of one of the most venerated religious figures in history, St. Francis of Assisi. The film casts Bradford Dillman, Dolores Hart, and Stuart Whitman, who all offer superbly compelling performances and contribute towards creating a movie that resonates with biographies, religious history, and those who enjoy period dramas.

Based upon the novel "The Joyful Beggar" by Louis de Wohl, the movie Francis of Assisi reflects the life journey of Francis Bernadone played by Bradford Dillman. Born into a wealthy family of merchants in Assisi, Italy, Francis enjoys a life of wealth and privilege. He is a charismatic person who loves fun, merrymaking, and is an aspiring knight. However, his life dramatically shifts after participating in a battle, making him face the more profound aspects of life and humanity.

The film unfolds amidst the backdrop of the medieval period, replete with battles and knightly pursuits, reflecting the era's charm authentically. Francis, played by Dillman, with great perseverance, begins questioning his life's purpose and the empty opulence surrounding him. As he becomes more introspective, he slowly detaches himself from his extravagant lifestyle and shifts towards a more spiritual path.

Alongside Dillman's nuanced performance as Francis, Dolores Hart shines as Clare Offreduccio, later known as Saint Clare of Assisi. She initially admires Francis's brazen charm and worldly ambitions, yet her admiration transforms as she observes his spiritual transformation. Both characters' spiritual journeys throughout the film are underpinned with powerful performances that captivate the audience.

Stuart Whitman plays the role of Count Paolo of Vandria, who seems outwardly resistant to Francis's radical ideas yet ends up becoming involved in a deep internal conflict. Whitman's depiction of the count adds more depth and adds a layer of complexity to the storyline.

The essence of spirituality and a divine sense of purpose are beautifully encapsulated throughout the film's narrative. Francis’s transition from a soldier to a servant of God and his revolutionary idea of seeing the divine in every living being, human or animal, is magnetizing. Moreover, his efforts to establish a brotherhood and meet the Pope in Rome lays down a solid ground for his canonization as a Saint in the future.

From a visual standpoint, the movie is a feast to the eyes. The beautifully designed sets, costumes, props, and cinematography all reflect the typical medieval setting with authentic production values that transport viewers back to the 13th century.

Michael Curtiz direction is commendable, seamlessly blending factual elements of the saint's life with those of a creative narrative for cinematic purposes, all without compromising the authenticity of the story. The narrative progression maintains a steady pace, capturing the personal evolution of the characters while at the same time maintaining a focus on the broader societal perspective and dynamics of the period.

Francis of Assisi is not just a historical drama; it's is a soul-stirring tale about transformation and finding a religious and spiritual path amidst conflict and tribulation. The movie deftly navigates the intricacies of faith, humanity, love, and sacrifice, rendering it a must-watch for those fascinated by historical dramas or the life of religious figures.

Bradford Dillman, Dolores Hart, and Stuart Whitman give life to these complex characters with earnest performances that stay with the viewers long after the film ends. Francis of Assisi is a movie that compels viewers to reflect and explore deeper human values and our connection to the world around us.