Furious Desires

Furious Desires was released in 2017, and it's a compilation of short films meticulously directed by multiple international directors. Each of these short films explores the nuanced layers of relationships, irrevocably tied by a common theme - desire in its most raw and furious form.

Starring the likes of Andrea Arcangeli, Edward Coward, and Milutin Dapcevic, among others, the film is a strong exhibition of international talents brilliantly weaving through the various realms of realism, drama, and avant-garde storytelling, all cinematically imbued with the overpowering sentiments of desire.

The film offers cinematic creations from different directors, each novel and intriguing in their storyline, with enormously high emotional stakes. Despite the variations in the cultural backdrops, languages, and narratives, it forms a cohesive entity. Every story grips you to your seat and takes you on an engaging ride into the human psyche, its vulnerabilities, forbidden territories, and overpowering desires.

Andrea Arcangeli, well known for his performances in major Italian series, here again, delivers a compelling performance, creating a riveting presence on screen. His immersion into his character proves why he is considered one of Italy’s finest actors in this generation.

Edward Coward, an American actor, brings a depth to his performance, which adds an extra layer of intrigue to the storyline. His portrayal of his character acts as an adhesive that carefully binds the narrative structure and keeps the audience deeply invested in the film.

Milutin Dapcevic, a famous Serbian actor, gives a robust performance that is both poignant and powerful. His nuanced acting effortlessly showcases the intricate emotional range required for his role.

The film’s narrative structure delves into the spectrum of human desire. It carefully unfolds the themes of longing, lust, love, and pain, taking the audience on a journey that is both heart-wrenching and heart-warming. It does not shy away from exploring the volatility of human emotions, marked by uncertainties, inner turmoil, and intense yearning.

The directors beautifully illustrate the universal nature of desire and its multifaceted manifestations across cultures. Whether it is Achmad’s longing for family in the middle of a chaotic city in 'Time to Love', or Rachel’s heartbreaking search for love and acceptance in the short film 'The Boy on the Roof', each story strikes a chord, unveiling the raw and often unspoken dimensions of desire.

The cinematography deserves a special mention, as it plays a significant role in setting the tonality of each individual story. The camera work is immersive; it brings out the essence of the situation and the emotions of the characters. The filmmakers experiment with diverse shots and angles to convey the undercurrents of desire that fuel the narrative, making the film a gripping visual experience.

The score of the film is skillfully curated, harmoniously syncing with the feelings of the characters on screen. It accentuates the chilling silences, the quiet smiles, the hidden tears, and the sporadic bursts of laughter. The music is a powerful tool utilized effectively to amplify the intensity of the storyline.

Furious Desires highlights the transformative power of desire, its capacity to bring people together, create chaos, break hearts, and sometimes provide healing. It features love in its most primal essence, grappling with societal norms, expectations, and internal conflict. It maintains a delicate balance between melancholy and hope, beautifully wrapped in a cinematic experience that immerses viewers in its narrative depth.

This film is not merely a movie, but an unforgettable experience that will leave the audience thinking, feeling, and reflecting on the complexities of desire and human relationships long after the credit rolls.