Getting Straight

Getting Straight, directed by Richard Rush, is a 1970 American comedy-drama film that provides a glimpse into the tumultuous era of college activism, cultural jiggle, and anti-war protests. Through the lens of the charismatic Elliott Gould with a supporting cast including Candice Bergen and Robert F. Lyons, this film attempts to unravel the complexities of the era while exploring themes of academic life, radical politics, and love.

Elliott Gould, known for his charismatic and dynamic performances, plays the pivotal character of Harry Bailey. Harry had previously been a promising student activist, but then he was sidetracked by the allure of a generation at arm's ends with its government over an unpopular war. Consequently, he has spent several years protesting the Vietnam War and getting involved with the counterculture of the 1960s. Disenchanted by the radical politics and societal unrest, Harry decides it’s time for a change. He aims to tie back his loose ends and resume his academic journey by returning to college with the intent of attaining a teaching degree.

Gould's performance captures the essence of a man who is torn between his commitment to his principles and his desire to eschew political activism for a more stable life. His ambivalence is further compounded when he reunites with his on-and-off girlfriend, Jan, played with great versatility by Candice Bergen. Jan is a budding feminist and a passionate activist who is deeply entrenched in the anti-war movement. Their love story unfolds against the backdrop of volatile student protests and clashes with rigid, bureaucratic academic systems. A spark is rekindled, but also tested as their personal beliefs and courses of life seem to veer in different directions.

Getting Straight, though primarily a comedy-drama, does establish a socio-political commentary. Director Richard Rush ingeniously navigates the viewer through a multitude of obstacles laced with humor, romance, and a fair measure of drama to reflect on the zeitgeist of the late 60’s and early 70’s. The film efficiently portrays both humour and chaos, encapsulating the extremes of passionate youthful rebellion against the establishment. Educational institutions become a ground for revolt, with voluble, radical students targeting the perceived oppressions of bureaucracy.

In its representation of the era, Getting Straight also takes a critical perspective on the university system. Through Harry's journey, we see the challenges faced by ambitious students trapped within a rigid, often hypocritical academic establishment. It subtly shades the pros and cons of activism, contemplating its real worth in driving societal change.

A subplot that stands out in the narrative features Robert F. Lyons as Nick, a troubled Vietnam War veteran dealing with post-traumatic stress disorder. His character offers a stark contrast and an indirect juxtaposition to Gould's Harry, providing an additional layer to the narrative.

Visually, the film utilizes its setting effectively, offering a tangible sense of the tense politicized atmosphere in academia. The period attire, décor, and street protests commendably mirror the era's aesthetics, contributing to the authenticity of the narrative's setting. Cinematically, Getting Straight is a product of its era, consciously stylized to mimic the aura and emotion of a time characterized by conflict and revolutionary fervor.

In terms of performance, Gould imbues his character with a satisfying mix of gravity and flamboyance that makes Harry engaging and relatable. Candice Bergen as Jan equally shines, projecting strength, idealism, and vulnerability in equal measures, contributing to a balanced dynamic between the lead characters.

In conclusion, Getting Straight is a blend of comedy, drama, romance and political activism from a time where college campuses were the epicenter of revolutionary sentiments. It is a compelling tale of personal sacrifice, love, and the pursuit of individual principles in the face of societal and political pressures. Whether you're interested in the era's history, looking for a great performance by Elliott Gould, or just in love with engaging narratives, Getting Straight from 1970 is an entertaining and perceptive watch.