Gigi

Gigi is a whimsical, romantic musical comedically enveloped in the elegance and decadence of belle époque Paris. Released in 1958 by Metro-Goldwyn-Meyer (MGM), the film is an adaptation of the 1944 novel by French author Colette.

The film, directed by Vincente Minnelli, features Leslie Caron as the eponymous Gigi, an adventurous and stubborn young lady who eschews the traditional conventions of Parisian society. Caron, already recognized for her performances in American in Paris and Lili, brings the lively spirit and innocence of Gigi alive.

The movie possesses an illustrious cast, featuring the legendary Maurice Chevalier who plays the role of Honoré Lachaille, a charming and obnoxious Parisian playboy and Louis Jourdan as Gigi's love interest, Gaston Lachaille, who also happens to be Honouré's nephew. Chevalier’s role within the movie is utterly memorable, and he anthems two of the movie’s cornerstone songs, ‘Thank Heaven for Little Girls’ and ‘I’m Glad I’m Not Young Anymore’, injecting saucy wit and poise.

Set against the backdrop of the fin de siècle French society, the film presents Gigi, a young Parisian girl being groomed by her grandmother, Madame Alvarez, and her great-aunt Alicia, to become a courtesan. The old ladies, conscious of the societal norms and status, are eager to safeguard Gigi's future by training her in the art of sophisticated manners and trends of the courtesan class. The interactions between Gigi and her great-aunt Alicia make for some of the most amusing moments in the film, as Gigi, an unconventional spirit, struggles to conform.

Amidst this setup enters Louis Jourdan as Gaston, a wealthy bachelor and family friend bored by his privileged lifestyle and the insincerity of the high society. He frequently seeks solace in the company of Gigi and her grandmother, enjoying the simple and unpretentious environment in their home.

Gaston's frequent visits and evolving camaraderie with Gigi forms the crux of the plot. The film effortlessly charts the transition of their relationship; from siblings-like to a budding romance, and examines how the prevalent societal norms impact their burgeoning feelings. The transformation of Gigi's character as she grapples with her feelings for Gaston and her imminent future portrays a delightful blend of wit, charm, and vulnerability.

Gigi showcases Minnelli’s cinematic strength in spacious musical numbers and stunning visuals. Gigi’s Paris is a technicolor marvel, deftly creating the ebb and flow of the city of light with great attention to detail. From period-accurate costumes, richly decorated interiors, to the bustle of the Maxime’s restaurant, come alive in brilliant color and design. Minnelli's direction enables a vivacious and enthusiastic performance from the ensemble, marking this film as one of his best.

The movie's music plays an integral part in its charm, with lively songs written by Alan Jay Lerner and Frederick Loewe. It perfectly captivates the emotions and moments exchanged between the characters. Also, the score often gives a good-natured, playful wink at the hypocrisy of polite society and the moral codes of that era.

Possessing the clear elements of onscreen and offscreen talent, Gigi is a high-profile testament to the golden age of Hollywood musicals. After more than six decades since its release, it continues to be a classic, loved for its stunning visuals, catchy musical numbers, and an unforgettable central performance by Caron. Expect laughter, emotions, and a dash of Parisian charm in this fun, well-crafted tale of love and society. A movie that promises to be an experience, Gigi's 1958 classic endures, striking an aesthetic balance between the grandness of a musical drama and the nuances of a romantic comedy; it is a visual and auditory treat to behold.