Go North

Go North is a compelling post-apocalyptic film directed by Matthew Ogens and released in 2017. The film stars an ensemble cast including Jacob Lofland, Patrick Schwarzenegger, Sophie Kennedy Clark, James Bloor, and Dichen Lachman, with the actors delivering captivating performances. The movie draws together threads of survival, coming of age, and the exploration of human nature in a world where societal order slipped into oblivity.

The story is set in an undefined future where a cataclysmic event has wiped out all adults, leaving only the children and teenagers. Set in stark abandoned suburban neighborhoods and desolate landscapes, the setting provides an eerie backdrop fitting the grim scenario. The storyline revolves predominantly around teens left behind to fend for themselves in the wake of this dire catastrophe formulating their own societal norms and rules of survival.

The narrative focuses on the lives of two high school kids, Josh and Jessie, who are adroitly portrayed by Jacob Lofland and Sophie Kennedy Clark. Josh was a standout football player, one of the most likely to succeed in the pre-catastrophe era, but is now finding himself navigated through an entirely different game - survival. Jessie is a tough, shrewd young woman, with a homely allure and brave persistence, who shares a deep bond with Josh. Together, they embark upon a journey, traversing the treacherous world they now find themselves in, a journey that helps them discover hidden strengths, vulnerabilities and the true essence of humanity.

Patrick Schwarzenegger delivers a strong performance as Caleb, a menacing figure who emerges as the de facto leader of the new “society”. His ability to evoke the intimidating machismo and willfulness in a character who has fallen down the hierarchical orgy of control adds interesting dynamics to the film’s narrative.

“Go North” is not just an exploration of an apocalyptic world, but an analysis of human existence under extreme circumstances. It showcases raw human instincts in a world that has thrown regular societal norms to the wind. The movie powerfully underlines how individuals may revert to primal survival instincts when confronted with despair and danger in their struggle for survival.

Throughout the film, the director seamlessly captures the essence of survivalist drama, emphasizing the raw and dire circumstances under which societal laws collapse and man is left to his own primal instincts and biases. Expressive cinematography and powerful visual storytelling direct audience attention towards the deserted setting, evoking a sense of dystopian desolation that further enhances the overall viewing experience.

There is a consistent theme of loss and grief throughout as you view life through the eyes of these teen survivors, an echo to the devoid of guidance, structure, and rule of law. The perilous circumstances and the starkness of the world around them force these teenagers to grow up prematurely, grappling with the realities of a world that is harsh, ruthless and unforgiving.

The film synergizes credible performances from the young cast with a narrative that places them at the center stage of action. The strong character development combined with a plot that keeps unveiling layers of human nature, intrigue, conflict, and camaraderie pay homage to the classic coming-of-age genre but within a dystopian setting.

While the movie dives deep into the realm of a hopeless world, it still holds on to the thin line of hope, resilience, and struggle. It encapsulates the bravery and courage of its principal characters as they endeavor to survive and retain a sense of self, even when the chips are down.

Go North grants a unique perceptive into how humans cope, adapt, and survive amidst extreme calamity. With its intriguing plotline and impeccable performances, the movie offers audience a thoughtful inquiry into the nature of survival, friendship, power, and the will to keep fighting, irrespective of the adversities. It is a heartrending, yet insightful dive into uncharted territories of human resilience and resolution.

By the end, the movie leaves viewers to ponder over one core philosophical question: What does it mean to be human in a world stripped of its humanity? The answer is beautifully explored in Go North, layer by layer, as the narrative unfolds, leaving a lasting impression on the viewer’s mind long after the credits have rolled.