H. G. Wells' The Shape of Things to Come

Released in 1979, H.G. Wells' The Shape of Things to Come takes us on a thrilling adventure through a future shaped by the consequences of mankind's actions. This science fiction film, directed by George McCowan, brings the prophetic vision of H.G. Wells to life in a cinematic experience rich in special effects and filled with a sense of both gloom and hope. The impressive ensemble cast for the film includes Jack Palance, Carol Lynley, and Barry Morse, who deliver riveting performances, taking the audience deep into the heart of a futuristic world.

The film revolves around a time post-apocalyptic from the 'Robot Wars', a stage in history where humanity has colonized the Moon to escape the devastation on Earth. The Moon colony, known as New Washington, has become a beacon of hope for survival and advancement. The human population now thrives on a rare and vital drug called 'Raddic-Q2,' which is only manufactured on Earth.

The storyline kicks off when Earth ceases the supply of Raddic-Q2, wreaking havoc on the peace and tranquility of New Washington. The lack of this drug puts the colony in a severe crisis, with the risk of a catastrophic occurrence that looms ominously over the once hopeful future. The Moon Colony's governor, Nikki (Barry Morse), is forced to make a decision that will change the course of their future.

Enter a trio of brave souls - a renegade robot repairman named Jason Caball, played by Nicholas Campbell; his beautiful companion, Kim (Carol Lynley), and Sparks (John Ireland), a seasoned space pilot. They undertake a perilous journey to Earth to ensure the supply of the lifesaving drug. The Earth they find is nothing like the one from the pages of history; it is a dystopian world dominated by Omnius (Jack Palance), a tyrant with ambitions that threaten the balance between Earth, Moon, and the entire human race. Omnius's stronghold is the city of Delta III, an almost impenetrable fortress, a symbol of the new world order under his rule.

The film delves into the climactic battle between the ambition of a lone tyrant and the survival of mankind, couched in the eternal conflict of good and evil. The audience is drawn into a captivating narrative arc highlighting the heroes' bravery, perseverance, and the struggle against overwhelming odds, evoking a raw sense of reality, despite the film's futuristic setting.

The Shape of Things to Come paints a picture of the future that is unique in its vision. While firmly within the science fiction genre, the film does not bank only on laser fights, spaceships, and alien encounters but moves a step further to touch on human drama and emotional depth, making it a thought-provoking watch.

The performances by the lead cast shine brightly in this film. Jack Palance, as the menacing Omnius, is a powerful presence in the movie, embodying the paradigm of an obsessive dictator, stopping at nothing to achieve his ambitions. Barry Morse's portrayal of Governor Nikki adds an empathetic father-like figure dedicated to saving his people. Carol Lynley's character, Kim, adds an invigorating feminine touch to the otherwise male-dominated plot - her charm, wit, and bravery stand out. Nicholas Campbell's performance as the spirited and fearless hero, Jason, ties the story together with nuanced emotion and admirable courage.

The film's striking visual effects lend an other-worldly charm to the story, especially in the scenes depicting the post-apocalyptic Earth. The visual spectacle combined with an engrossing musical score creates an atmosphere of anxiety and tension throughout the film that keeps the audience riveted from beginning to end.

H.G. Wells' The Shape of Things to Come serves as both futuristic entertainment and an artistic cautionary allegory about the consequences of human ambition and war. It explores the depths of humanity amid chaos and war, making it not just a film, but a mesmerizing journey through a possible future. Drawing inspiration from H.G. Wells' views on society and the future, the film leaves a haunting impression, raising questions about survival, progress, and the potential advent of a new world order.