Honolulu

Honolulu is a delightful movie from Hollywood's golden era of the 1930s. Released in 1939, this charming musical comedy is filled with humor, romance, and glistening dance numbers that captivated audiences of the time and continues to entertain generations today. It was directed by Edward Buzzell, a specialist in comedy films, and its screenplay penned by Frank Partos and Wells Root. The film features irresistible performances from Eleanor Powell, Robert Young, and the comedy icon, George Burns.

Set in the picturesque backdrop of Hawaii, the narrative of Honolulu is driven by a case of mistaken identity and builds upon the comical and romantic chaos that ensues from it. Young essays the character of Brooks Mason, a famous movie star who craves a break from his repetitive public life dominated by starstruck fans and prying paparazzi. Yearning for a quiet, peaceful vacation, he embarks on a trip to Honolulu, away from the scrutiny of Hollywood.

However, the storyline takes a funny twist as Mason's dreams of tranquility are thwarted by his popularity even in the distant Hawaiian islands. That's when Mason meets his look-alike, a Hawaiian plantation owner named George Smith, played also by Robert Young in a dual role. They decide to exchange their identities temporarily, leading to an intricate, hilarious tangle of events as they struggle to keep up with their impersonations and the unexpected complications that arise from their decision.

Eleanor Powell plays the role of Dorothy March, a travel-demonstrated entertainer who happens to meet 'George Smith', unaware of his real identity as Brooks Mason, her favorite actor. This is where romance blossoms amidst the gorgeous Hawaiian setting, enhanced by the appealing dance sequences that Eleanor Powell, renowned for her tap dancing skills, pulls off with flair. Dorothy's journey of love, confusion, and a surprising revelation is infused with a captivating charm that keeps the audience engaged throughout.

Adding a layer of humor to the narrative is George Burns, portraying the character of Joe Duffy, Mason's valet. Burns brings his signature style of comedy into his character, contributing significantly to the mirthful ambiance of the film. His interactions with Mason and Smith, his resulting bewilderment, and his witty one-liners all make for some of the most entertaining moments in the movie.

One of the most notable aspects of Honolulu is its splendid musical score. Composed by Franz Waxman, the film features some classic numbers like 'My Own Love Song' and 'Honolulu' that were chart-toppers of that era. These tunes, coupled with the dazzling dance performances of Powell, elevate the film's entertainment quotient.

On the technical front, the film exhibits impressive craftsmanship. Honolulu's cinematography is beautiful, with the lush landscapes of Hawaii providing an undeniable visual allure. The production design is stellar, capturing the look and vibe of 1930s Hollywood and Hawaii with immaculate detail. The editors have done an excellent job maintaining the brisk pace of the film, ensuring the comedy timing hits just right.

In all, Honolulu showcases vintage Hollywood at its best. Eleanor Powell steals the show with her graceful dance numbers and undeniable charm, while Robert Young affably pulls off dual roles with a distinct style of his own. George Burns adds his unique brand of humor creating a merry, lighthearted atmosphere. All this, along with the excellent music, picturesque settings, and a laugh-out-loud script, make Honolulu a classic 1930s musical comedy that will undoubtedly delight fans of old-school Hollywood cinema.

Despite having been released well over seven decades ago, Honolulu, with its lively plot, enchanting performances, and captivating music, has an enduring appeal. It offers modern audiences a wonderful chance to revisit a charming era of filmmaking that was filled with joyful music, elegant dance numbers, mirthful humor, and romance—the very building blocks of a classically entertaining Hollywood musical.