I'll Take Sweden

I'll Take Sweden is an American comedy-drama film, released in the year 1965, directed by Frederick de Cordova and starring notable actors such as Bob Hope, Tuesday Weld, and Dina Merrill. The film was produced and distributed by United Artists.

The primary character Bob Holcomb, portrayed by Bob Hope, is a single father grappling with the trials and tribulations of parenting. Bob is extremely protective of his daughter JoJo, portrayed by the effervescent Tuesday Weld, and is challenged by her teenage rebelliousness.

The story kicks off when Bob discovers JoJo is in a serious relationship with her musician boyfriend Kenny who leans towards a Bohemian lifestyle, an aspect which Bob disapproves of. Bob's mission becomes to end their relationship and attempts to do this by accepting a job overseas and moving his family to Sweden, believing that the distance will break them apart.

However, this doesn't go as planned for Bob. Instead of the quiet, traditional society he was hoping for, they encounter a country with liberal views, especially about love and relationships. Thus, JoJo is exposed to even more freedom, which torments Bob, as he still envisages an idyllic life for his daughter.

As Bob tries to navigate the radically different cultural norms, he comes across Karin, an astoundingly beautiful woman played by Dina Merrill. Karin is an independent, successful, sophisticated woman who not only mesmerizes Bob with her beauty, but also enlightens him about Sweden's progressive attitudes.

Conflict ensues as JoJo gets engaged to a charming Swede, Erik, portrayed by Frankie Avalon. The new engagement takes Bob by surprise as he doesn't know what to do and doesn't seem to be able to control his daughter's choices anymore. Meanwhile, Bob starts to develop an interest in Karin and an entangled double love-triangle forms the crux of the story.

Bob's struggle to accept the cultural differences, protect his daughter, and decide whether or not to follow his heart provides the viewers with unexpected, comedic, and heartwarming moments. The movie also reflects on the father-daughter relationship and how it changes and evolves.

One of the appealing aspects of the film is how it captures the essence of the 1960s, showcasing distinctive scenes of modern Swedish architecture, automobiles, and fashion. Even though the storyline is packed with amusement and humor, there's also a deep-seated commentary on society's norms and values, and the inevitable generation gap. In addition, the film intelligently unfolds a satire on the ultra-liberal Swedish society from an American's perspective, without mocking or undermining either of the cultures.

Bob Hope, with his flawless comic-craft and iconic sense of humor, adds grandeur to the film's overall narrative. Dina Merrill and Tuesday Weld beautifully complement him, making the film a delightful visualization. The memorable melodies, especially the title track, China Doll, and Would You Like my Castanets, also contribute significantly to the vibrancy of the film.

I'll Take Sweden applies a light-hearted, comedic approach to explore deeper themes of parenting, romantic relationships, and cultural clashes. The film will leave the audience in split-sides with laughter but also spark thoughts about the evolving societal norms and expectations.

In conclusion, if you are a fan of Bob Hope, comedy-drama, or are intrigued by 1960s cultural nuances, I'll Take Sweden is not to be missed. In all its layers and undertones, the film delivers impeccable performances, enthralling music, and engaging storytelling. Reserve your judgement about societal practices and dive into the laughter riot while engaging in a subtle journey reflecting on love, family, and cultural contrast.