In Praise of Nothing

In Praise of Nothing is an experimental documentary film released in 2017. An avant-garde masterpiece by Serbian filmmaker Boris Mitić, the film gives a creative and innovative viewpoint on the concept of ‘Nothing’. This film is a cinematic exploration of seemingly uncharted territories, with narratives guided by the iconic punk vocalist Iggy Pop, who lends his distinct voice as the film's narrator, done in an eloquent, soulful, and often humorous perspective that is as unexpected as it is enthralling.

In Praise of Nothing observes the notion of ‘nothingness’ through a humorous and metaphysical lens, offering profound insights into existentialism. The film's primary character, ‘Nothing’ itself, is meticulously represented from various standpoints, making viewers question the very essence of existence and the universe.

From a stylistic standpoint, the film is a collection of stunning visuals and arresting images that are projected on the screen in black and white, as it submerges viewers into what seems to be an alternative universe. These shots were filmed by not less than sixty-eight cinematographers in dozens of countries spread over all continents except Antarctica. The compelling visuals, acid-sarcasm delivered by Iggy Pop, and the pronounced orchestral pieces by Pascal Comelade and The Tiger Lillies offer viewers a unique and immersive cinematic experience.

Iggy Pop's gravelly yet strangely soothing narration, says much about the often-neglected idea of ‘Nothing’. His distinctive voice, infused with someone who has seen it all – the ups, downs, and everything in between, provides an ironic, philosophical and, at times, hilarious perspective on the void and vacuum that permeate our existence. Why is ‘Nothing’ afraid of ‘Something’? How does ‘Nothing’ experience ‘Fear’? How does ‘Nothingness’ surround us in a world that is consistently pursuing ‘Something’? These are some of the questions addressed and analyzed in the film, meant to make viewers confront the abstract aspects of existence and the cosmos.

Mitić creates parallels between the grand definition of Our Universe and the tiny, insignificant microcosm of individual life forms, in an attempt to portray an eternal dance of ‘Something’ and ‘Nothing’. The film captures various paradigms of society, nature, and individuals, subtly representing 'Nothing' in its various forms waiting to be singly deciphered by the viewer. The film's plot unfolds in a subtlety that captures the existential emotion of the observer, almost like a mirror reflecting one's deepest fears and ambitions.

The film's unique format and style set the stage for unconventional storytelling. Filled with vistas, panoramic shots, and intimate close-ups, from bustling cityscapes to remote locations, every scene is filmed with a poetic precision that smoothly dovetails into the next. It's more of a visual essay, a poetic documentary, and a philosophical mediation where the visuals and the narration work in tandem, creating a hypnotic effect that leaves viewers contemplating long after the credits roll.

Backing up the project is an eclectic high-concept soundtrack that complements the divine absurdity of the film's concept. The soundtrack is a fabulous interpretation of the titular theme and works perfectly with the atmospheric visuals, equating to an arresting audio-visual spectacle that propagates a sense of spiritual wanderlust amidst viewers.

From philosophical theories to observational truths, the film's script is sprinkled with gems of wisdom and thought. The screenplay is filled with broad strokes of metaphysical humor, as it combines witty one-liners with deep existential questions. This paradoxical combination provides the viewers with a sense of a cosmic cliffhanger and a sneaky smile.

In Praise of Nothing is not an ordinary film; it breaks the shackles of conventional storytelling and ventures into a path less traveled. It is a quirky gem that does not aim to entertain, but to make its audience ponder. Mitić's ingenious handling of the profound theme showcases his excellence as a filmmaker, crafting a captivating webscape of visuals and thoughts that morphs ‘Nothing’ into ‘Something’. Despite its oddly amorphous nature, the film is a genuine and heartfelt ode to nothingness. Whether you end up deciphering the grander intent, or just bask in the cosmic oddity presented, the viewer is sure to leave with a unique and revealing cinematic experience.