Ina

Ina is a groundbreaking and thought-provoking Indian Malayalam film from 1982, that sets itself apart through its bold thematic exploration of teen sexuality - an unusual subject in Indian cinema of the time. Directed by master filmmaker I. V. Sasi, the film showcases the late director's exceptional knack for storytelling, offering an unflinching narrative that is certain to generate conversation.

The film features an ensemble cast consisting of fresh talent and veteran actors. Karan, Devi and Kanchana have all delivered compelling performances, skilfully embodying their complex characters in this coming-of-age tale.

Ina charts the journey of its teenage protagonists, Vinu (Karan) and Anitha (Devi), who find themselves navigating the unpredictable terrains of first love and youthful desire. The film doesn't shy away from introducing the complexities of their feelings or the resultant consequences on their lives.

The narrative goes beyond the simplistic storytelling that is common in tales of teenage romance; instead, it dares to ask difficult questions and leaves viewers with much to contemplate. It explores the acquaintances and relationships formed during our adolescent years and leaves no stone unturned in its mission to depict the realistic aspects of teenage lives. This exploration of their world through their perspectives lends authenticity to the narrative and makes for an immersive viewing experience.

Karan, a fresh face in Malayalam cinema, is exceptionally genuine in his portrayal of Vinu, perfectly capturing the character's naïveté, confusion and vulnerability. Devi, on the other hand, brings a compelling authenticity to her portrayal of Anitha, convincingly embodying the character's transition from girlhood to womanhood. The chemistry between the two leads is believable and effectively carries the story.

Kanchana, in the role of Anitha's mother, delivers a stellar performance. She successfully adds depth and complexity to what could easily have been a one-note character, providing a much-needed adult perspective to the story. Even with her limited screen time, she leaves a lasting impression.

The film's cinematography is commendable, capturing the raw beauty of the idyllic Indian landscapes where the story unfolds. Each scene is filmed with precision and detail that enhances the viewing experience.

The music by A. T. Ummer is one of the film's highlights. The soulful tune resonates with the film’s narrative, creating an emotional thread that binds the story together. The film not only has pleasant melodies, but the lyrics also beautifully articulate the characters’ internal emotional turmoil and well up the viewers' sympathy.

Ina is not just a movie; it's a social commentary that attempts to challenge societal norms and taboos. The setting of the film reflects the societal norms of the 1980s, and it courageously challenges the orthodox views and the conservative society's mindset during that era. It should be noted that Ina's contribution to Indian cinema is also monumental as it paved the way for a wave of films addressing themes previously considered taboo.

As a concluding note, Ina is an essential watch for anyone interested in thoughtful and daring Indian cinema. The film's bold narrative, well-executed plot, brilliant performances, and soulful music create an engaging atmosphere that stays with the viewer long after the final credits roll. It may have been released in 1982, but its themes and messages are still relevant, making Ina an evergreen classic in Indian cinema.