Is My Face Red?

Is My Face Red? is an American pre-Code drama film directed by renowned filmmaker William A. Seiter and scripted by Dorothy Howell, based on the story by Mildred Cram and William Slavens McNutt. Released by RKO Radio Pictures in 1932, featuring unforgettable performances by Hollywood greats Helen Twelvetrees, Ricardo Cortez, and Jill Esmond.

The film unveils a storyline centred on gossip, intrigue, social comedy and underlying romance, set against the backdrop of a time in American history where newspapers were the primary means of mass communication, and society pages held immense sway over public opinion.

The leading lady, Helen Twelvetrees, breathes life into the character of Patricia 'Pat' Hunter, a determined and fierce news reporter for the scandal-loving New York Gazette. Pat's character is depicted as a glass ceiling breaker, navigating her way through a male-dominated profession, her powerful persona bringing a blend of strength and sophistication to the movie.

Close by her side is Ricardo Cortez, portraying the enigmatic and confident Red, a seasoned news hound and Pat's marriage partner on and off the press floor. Cortez, known for his charisma and charm, imbues Red with an unwavering loyalty to Pat, reflecting an empathetic side to his character.

The third star Jill Esmond, recognized for her elegant and eloquent performances, steps into the shoes of Mildred Huntington, a wealthy socialite. Esmond's character oscillates between embodying the epitome of wealth and sophistication and showing signs of vulnerability because of her poor choice of companions.

The story gets its momentum when Pat and Red publish a salacious story involving Mildred and her secret lover. As the news creates waves and scandalizes the city, the reactions of those involved, and the socio-political aftermath, forms the crux of the film. There is a perfect blend of thrill, drama, and romance embellished with satire, making this movie both entertaining and thought-provoking.

The film doggedly explores themes of journalistic ethics, the influence of media on people's lives, and the societal implications of scandalous news. As these threads unravel on screen, viewers are offered an engaging insight into the repercussions faced by those at the centre of these media circuses.

Helen Twelvetrees' terrific portrayal of a woman in journalism during an era with barely any gender equality is indeed a highlight of the movie. She juggles ambition, love, and morality with extraordinary poise and grace, creating a memorable persona that resonates with the audience.

Ricardo Cortez, on the other hand, adds a masculine charm to the narrative, tackling numerous situations with stoic confidence. His presence adds an element of camaraderie to this otherwise intense story, making it relatable and light-hearted at times.

Finally, Jill Esmond's role as the beau monde beauty is integral to the storyline. Her character development throughout the narrative is fascinating, moving from naïveté, through self-realization, and finally to empowerment.

Overall, Is My Face Red? is an engaging, thought-provoking film that effectively comments on media culture, gender norms and societal expectations. With an exceptional cast and compelling storyline, it is a profound reflection of society presented through timeless cinema that continues to captivate audiences even today. The direction, combined with sharp scripting and top-notch performances, turns it into a classic story of its time, deserving of its recognition as a groundbreaking pre-Code American film.

Is My Face Red? is a must-watch for those captivated by early 20th-century media culture, gender dynamics, and American societal norms. It also holds a special appeal for admirers of Helen Twelvetrees, Ricardo Cortez, and Jill Esmond who brought depth and texture to their compelling and socially relevant characters.