It's Always Fair Weather

It's Always Fair Weather is a 1955 movie directed by the notable Stanley Donen and Gene Kelly. Boasting an impressive cast that includes Gene Kelly, Dan Dailey, Cyd Charisse, and Michael Kidd, the film is a comedic drama, rich in satirical undertones, and sprinkled with romantic interests. Inspired by the Broadway hit On the Town, the film combines a storyline about camaraderie, lost ideals and the changing times, punctuated with brilliant song-and-dance numbers.

The plot centres around the ups and downs of three army buddies who pose a fascinating study of contrasting characters. After surviving World War II, Teddy (played by Gene Kelly), Doug (Dan Dailey), and Angie (Michael Kidd) make a pact. They promise to meet ten years later at the bar where they always hung out, to honour the camaraderie and friendship they've built during the war.

However, the intervening years have not treated each of them kindly. Teddy, once a snap-happy, charming soldier, turns into a small-time gambler and shifty fight promoter. On the other hand, Doug turns out to be an unhappy yet successful ad executive stranded in the commercial world's rat race. Meanwhile, Angie is now the owner of a modest hamburger joint in Schenectady, a stark contrast from his former adventurous life. These drastic changes set the stage for an engaging narrative that leaves the audience wondering whether their friendship can survive the pressures of their respective lives.

The movie's charm is further heightened by the vibrant performances, particularly Gene Kelly's trademark energy and charisma. The choreography is a central highlight of the film, with each actor - Gene Kelly, Dan Dailey, and Michael Kidd - bringing a unique flavour to their respective roles. Kelly, Dailey, and Kidd all rehearsed their elaborate dance routines for weeks before filming, and the results are awe-inspiring: the film's "trash can" tap dance sequence is especially iconic and one of the most memorable in cinematic history.

Cyd Charisse, as Jackie Leighton, adds a distinct romantic angle to the plot. Playing a manipulative, career-oriented TV producer, she ensures that the three friends' reunion is broadcast live on a popular television show. Despite her character, her stunning dance performances, especially the "Baby, You Knock Me Out" number, are the heart of the film's musical offerings.

The film cleverly incorporates commentary on the dawn of the television era and the commercialisation effect on society. It stands out as a unique musical that still feels contemporary and relevant. The well-placed satirical elements present a thought-provoking critique of the growing influence of television and advertising in the mid-50s - a theme that resonates well in today's era of increased mass media omnipresence.

Technicolor adds an extra dimension of richness to the film, bringing out the best of the dance sequences and evoking a certain nostalgic charm. While Betty Comden and Adolph Green's original story and screenplay bring in the socio-cultural relevance, Andre Previn's music keeps the audience tapping along.

Initially marketed as a cheerful musical, It's Always Fair Weather communicates a deeper message wrapped in melodies and dance numbers. The uniqueness of the film comes from its distinct blend of comedy, drama, satirical social commentary, and dazzling musical numbers. It offers an insightful look into the various facets of human relationships, the march of time, and the drastic changes it brings.

Despite mixed reviews at the time of its release, It's Always Fair Weather has slowly gathered a dedicated following and has come to be regarded by some as an underappreciated gem worth exploring. A snapshot of a time in transition, this movie offers viewers a unique cinematic experience. For fans of musicals and those generally interested in the evolution of cinema, It's Always Fair Weather provides engaging storytelling, memorable performances, and a captivating visual spectacle.