It's Not My Fault and I Don't Care Anyway

It's Not My Fault and I Don't Care Anyway is a riveting drama that brilliantly triangulates themes of self-indulgence, morality, and the value of life. This thoughtful examination of our societal concerns was brought to the big screen in 2017 by Chris Craddock, who directed as well as penned the script. The movie marks one of the last performances of Alan Thicke, known for his iconic role in the sitcom "Growing Pains," who passed away shortly before the film's release, and it features powerful performances by Quinton Aaron and Leah Doz. The story falls under the genre of drama but oscillates elegantly between moments that make us ponder and pure cinematic entertainment.

In the film, Alan Thicke exhibits a stellar performance as Patrick Spencer, a self-absorbed and pompous motivational speaker and self-help guru. Despite his outwardly affable demeanor and surface level charisma, there's palpable darkness below the surface— his relentless self-indulgence and egomaniac nature shape him as a man who believes wealth and fame absolve him of any societal and moral responsibilities. He lives deeply within his inflated ego and, seemingly unconcerned about the feelings or needs of others, lives by the mantra - "It's not my fault, and I don't care anyway."

A sudden turn of events in the plot introduces us to the character of Brian Calhoun, played by Quinton Aaron, best known for his role in "The Blind Side." A hard-pressed criminal struggling to make ends meet, Brian finds himself in the midst of a vicious conundrum when the opportunity for quick cash arises. In an ill-conceived plan, Brian kidnaps Patrick’s daughter, Princess, portrayed by the talented Leah Doz. This decision sets the three primary characters on a collision course, tightening their lives into an unexpected face-off.

However, the plot thickens and provides an unexpected twist when Patrick, showing a complete disregard for anyone else's welfare other than his own, shows his nonchalance towards the ransom demands for the release of his daughter. Caught in a web of Patrick's indifference and narcissistic attitudes, Brian and Princess create a peculiar bond, proving that genuine relationships could blossom in the darkest of circumstances.

The narrative unfolds in unforeseen directions, exploring aspects of human behavior and forcing characters to face their worst fears and true selves. The characters are drawn into a whirlwind where they must confront and question the consequences of their actions, challenging the characters to either rise to the occasion or perpetually drown in their egocentric world.

What makes It's Not My Fault and I Don't Care Anyway gripping is its portrayal of intense and complex characters marred by their flaws and virtues. While Patrick's character provokes anger with his arrogant insensitivity, reckless actions, and inability to express genuine love, the complexity of Brian's lawful yet humane character offers stark contrast, forcing audience members to reconsider their perception of morality. In between these extreme characters, Princess finds herself a pawn in her father's self-serving game, with Leah Doz commendably portraying the character's despair, resilience, and unexpected grit.

The film is laden with dense dialogues and monologues that reveal the characters' inner workings, speculating on the philosophical aspects of life, morality, and the choices one makes. It stimulates audiences to mull over the lurking themes of egotism, humanity, the consequences of obsessive pride, and the importance of responsibility to one's family and society in the broader sense.

It's Not My Fault and I Don't Care Anyway is an evocative movie that hooks the audience to the screen until the end, exploring the intriguing character dynamics played out under the shadow of a crime. Featuring commendable performances, this film delves into the deeper facets of society's obsessions, ultimately posing the question: How far can one go before their arrogance collapses their world? Expertly filmed and crafted, the viewers can expect a cinematic experience that prompts contemplation long after the film ends.