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Kandahar

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PG
2001

Kandahar is a compelling, thought-provoking film that offers viewers a haunting perspective of life in Taliban-occupied Afghanistan. The 2001 movie is a poignant journey capturing the real-life horrors of a land dominated by political extremism and gender oppression. Acclaimed Iranian director Mohsen Makhmalbaf helms this venture and the international cast features Nelofer Pazira, Hassan Tantai, and Ike Ogut.

At the heart of Kandahar is a simple yet intriguing storyline that resonates powerfully amidst the bleak desert landscapes and the unrelenting terror the Taliban regime entails. Nafas (played by Nelofer Pazira), an Afghan-born Canadian journalist, embarks on a perilous journey from Iran into the very heart of Afghanistan, the city of Kandahar. Her aim is to save her sister who, in a despairing letter, has revealed her intent to end her life during the final eclipse of the millennium. Moved by her sister's cry for help, Nafas negotiates the harrowing circumstances in an attempt to reach her sibling in time.

Nelofer Pazira plays her role with commendable conviction, effectively portraying the courage and determination of a woman on a life-saving mission in a hostile, male-dominated society. Her journey is an eye-opening and heart-stirring revelation of the extreme conditions that millions of Afghan women and children were forced to endure at the time. Pazira's performance is sincere, making Nafas's challenges and fears palpable to viewers.

Hassan Tantai and Ike Ogut depict distinct characters who cross paths with Nafas at different stages of her journey. Both actors manage to shape their portrayals to reflect the contrasting realities that everyday individuals in Afghanistan grapple with - some are driven by despair, while others find ways to resist the oppressive regime. Tantai, especially, shines in his multifaceted role while Ogut delivers a performance that adds a layer of complexity to the narrative.

Mohsen Makhmalbaf's direction is harrowing, yet delicately labored. His portrayal of desert landscapes is stark and chilling, effectively conveying the oppression and fear in Kandahar. The cinematography by Ebrahim Ghafori is equally effective in capturing the desolate beauty of Afghanistan, most notably in a scene featuring freshly painted prosthetic limbs parachuting down against the arid backdrop. Despite the bleakness of the situation, Makhmalbaf manages to weave moments of surreal beauty into the narrative.

The director's approach is more observational than interventionist. The film doesn't seek to solve the problem or propose any answers but instead provides an unfiltered depiction of life under the Taliban. It is this raw, visceral treatment of the subject matter that makes Kandahar impactful. Makhmalbaf's decision to employ non-professional actors from refugee camps further enhances the authenticity of the narrative.

The heartrending narrative of Kandahar does not shy away from addressing contentious themes such as gender oppression, cultural identity, political violence, and human rights violations. It's a mediation on the human capacity to endure, resist, and hope, even amidst the harshest of realities.

The film's title refers to the city Kandahar, one of Afghanistan's largest and historically significant cities. Besides carrying the literal significance, Kandahar becomes synonymous with Nafas's journey, her desperation, and hope encapsulating the wider struggle of a nation.

From a technical standpoint, the film exemplifies international cinema at its most daring and unsparing. The stark cinematography and haunting score come together seamlessly to provide a multi-sensorial depiction of life under an oppressive regime.

A film of stark contrasts and authentic interpretations, Kandahar is a cinematic jewel that effortlessly blends the personal and political. It is a heart-wrenching exploration of human endurance in times of overwhelming adversity. Viewers must prepare themselves to be both educated and challenged, as the film sheds light on the harsh realities that millions of people continue to face due to political and societal turmoil.

In conclusion, Kandahar is a gripping cinematic masterpiece that integrates the beauty of film with the urgency of real-world issues. It paints a revealing, at times brutal, portrait of the Afghan people's resilience under an oppressive regime, serving as a memorable testament to human will and perseverance.

Kandahar is a Drama movie released in 2001. It has a runtime of 85 min. Critics and viewers have rated it moderate reviews, with an IMDb score of 6.8. It also holds a MetaScore of 76.

6.8/10
76/100
Director
Mohsen Makhmalbaf
Stars
Nelofer Pazira, Sadou Teymouri, Hoyatala Hakimi, Dawud Salahuddin (Hassan Tantai)
Genres