King Creole

King Creole, a black-and-white American musical film, was released in 1958 under the directorship of Michael Curtiz. Elvis Presley stars as the film's primary protagonist, with Carolyn Jones and Walter Matthau delivering compelling supporting performances. The film constitutes one of Elvis' most critically acclaimed acting roles and is said to be his favorite amongst the films he starred in. King Creole, to this day, enjoys firm standing among Presley's fans and cinema enthusiasts who appreciate classic American musicals.

The film is based on Harold Robbins' 1952 novel, 'A Stone for Danny Fisher,' adapted into a screenplay by Herbert Baker and Michael V. Gazzo. Set in New Orleans' vibrant and lively French Quarter, King Creole thrusts viewers into the 1950s vibrant culture exploding with music and dance.

Presley plays the character of Danny Fisher, a troubled but talented young man, struggling with the challenges of his life. Fisher has recently dropped out of high school and, to make his ends meet, works during the day as a busboy and at night sings in a nightclub. His soulful voice and natural charm turn him into an instant sensation, making the nightclub more popular than ever. His life takes a massive turn when, through a twist of fate, he dives headfirst into the lively world of the music industry.

Carolyn Jones offers a poignant performance as Ronnie, a tormented and complex nightclub employee with whom Danny forms a deeply emotional and intense relationship. Walter Matthau plays the dangerous and manipulative gangster, Maxie Fields, whose ruthless tactics and adversarial nature pose continual threats and obstacles to Danny's newfound fame and aspirations.

A notable feature of the King Creole is its enchanting musical score comprising a mixture of genres, from jazz and blues to pop and rock'n'roll. The film showcases some of the best Presley's on-screen performances, and it's energized by the King's mesmerizing renditions of songs such as 'Hard Headed Woman,' 'Trouble,' and the title track, 'King Creole.'

The lighting, cinematography, and direction in King Creole are also worth mentioning. The use of New Orleans as a backdrop adds certain edginess and multicultural atmosphere to the film that matches well with the story's tunes. Director Michael Curtiz, well known for classics like 'Casablanca,' does an excellent job of blending the gritty drama elements with the lively musical performances, all while beautifully capturing the unique spirit of 50's New Orleans.

This film doesn't shy away from exploring deeper, darker subjects with its primary and secondary characters, weaving a tale of love, ambition, deceit, and redemption. In addition to Presley's musical prowess, the film also explores his abilities as a capable dramatic actor, which proved to be an eye-opener for critics. His character is often faced with moral dilemmas and complex decisions, allowing Presley to portray a multifaceted range of emotions and showcasing his acting range.

Meanwhile, Matthau gives a memorable performance as the villainous Maxie Fields, instilling an air of danger and conflict that keeps the plot tensed and engaging. Carolyn Jones skillfully plays her tragic character, showcasing her abilities as a talented actress.

Despite its share of dramatic tension and conflict, King Creole is also imbued with moments of levity and joy largely revolving around its musical sequences, making the film a balanced and thoroughly engaging viewing experience. This amalgamation of Presley's hypnotic voice, a compelling story, memorable performances, and a well-crafted direction make King Creole a standout in Presley's filmography and a classic musical film in American cinema.