King Kelly Of The U.S.A.

King Kelly of the U.S.A. is a 1934 comedic musical film, directed by Leonard Fields and released by Monogram Pictures. With protagonists embodying the essence of the Depression-era optimism, the film is set as a musical journey that touches elements of romance, comedy, fantasy, adventure, political satire and a tinge of fantasy. The whimsical innuendos, buoyant songs, and action-filled sequences open up the colorful world of Hollywood's golden age.

The lead of the film, King Kelly, is played by well-known actor Guy Robertson, a radio singer making his film debut. Robertson shines in his portrayal of an American businessman with boyish charm and an entrepreneurial spirit. Adept at singing, his lilting tenor voice is showcased in several songs throughout the film. His dynamic role takes the viewers through stages of being an unsuspecting businessman, to a hapless king, to a man intensely in love.

Playing alongside him is the charming Irene Ware, the runner-up of Miss United States, who made a robust career for herself in the Hollywood films of the 30s and 40s. She essays the role of Princess Tania, the royal daughter of a fictional European nation called Belgardia. Princess Tania is not just a damsel in distress but is portrayed as a character with depth who is ready to do what it takes to protect her country. The chemistry between Robertson and Ware lights up the screen, creating a romantic subplot within the comedic adventure.

The supporting cast is not to be overshadowed. Edgar Kennedy, the master of the 'slow burn,' plays the American ambassador to Belgardia. His comic timing and strong performance contribute a sense of authenticity and hilarity even to the far-fetched plot. The rest of the cast is rounded out by the talented actors Franklin Pangborn, Ferdinand Munier and others who give life to the imaginary state of Belgardia with their lively character portrayals.

As the plot unfolds, the film introduces the audience to Jim 'King' Kelly, a novelty flashlight salesman, and his pal Happy Moran (played by James Burke), who through an unusual set of circumstances, find themselves in possession of an island that holds the fate of Belgardia. King Kelly is named the ‘king’ of this island. What ensues is a humorous series of events as King Kelly deals with his new authority while navigating political ploys, conspiracies, an unexpected love interest, and the responsibility of a new land and nation.

The film also successfully navigates the audience through a world riddled with political strife and power struggles. The corrupt forces at play showcase the political reality of the time, adding suspense and enhancing the plot's uniqueness.

Apart from the strong narrative and characters, the fantasy comes alive in the portrayal of Belgardia, complete with grand palaces and extravagant costumes that paint a vivid picture for the viewer. It also beautifully leverages the elements of a musical with tunes composed by Abe Lyman and Joseph Bonime, which are well-incorporated into the narrative and enhance the visual spectacle.

Despite having all the ingredients of an entertaining Hollywood film, "King Kelly of the U.S.A." offers more than just escapism. It touches on the underlying theme of the price of responsibility and the burden that accompanies power. A standout line from the film where Kelly says, "Being a king is no snap...it's only the crown that's made of gold, not the headaches", encapsulates this theme vividly.

Shot during the Great Depression, the film also serves as a social commentary on the era, highlighting the triumph of individuality, humanity, and love. It is a story of an ordinary man, catapulted into extraordinary circumstances, who overcomes hardships and, with a little bit of love and a lot of courage, manages to save the day.

In closing, King Kelly of the U.S.A. is a light-hearted and entertaining film and a classic representation of the 1930s' cinematic landscape. Irrespective of the age and era, the timeless universal themes, along with a charismatic cast, make this movie an enjoyable American classic and an interesting piece of film history. A must-watch for fans of musical comedies and those interested in Hollywood's golden age.